In the thinking of Vilém Flusser, the question of subjectivity is linked to the question of being human or becoming human. The human subject should be considered as dependent on media’s cultural and anthropological conditions. In this context, changes in media conditions lead to changes of the human subject. Flusser calls this process a media-cultureanthropological evolution. According to this thesis, the human being is no longer defined as a subject in relation to an object but rather as a “project in (...) a incarnation”. The human subject is progressively freed from its dependency on an objective world. Therefore, the dichotomy of subject and object disappears and our existential condition of being in the world change. We give up the idea of a given and still standing world in favor of an inter-subjective construction, in which the “I”, “You,” and “It” turn out to be projections. The question is: are we still able to talk about the ability to act in the context of a post-historical project? Isn’t acting a genuine gesture/expression of the understanding of the “subject of objects,” and of agency in the “objective world”? (shrink)