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History of Modern Aesthetics

In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press (2003)

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  1. (3 other versions)Environmental Aesthetics.Allen Carlson - 2020 - Stanford Encyclopedia of Philosophy.
    Environmental aesthetics is a relatively new sub-field ofphilosophical aesthetics. It arose within analytic aesthetics in thelast third of the twentieth century. Prior to its emergence,aesthetics within the analytic tradition was largely concerned withphilosophy of art. Environmental aesthetics originated as a reactionto this emphasis, pursuing instead the investigation of the aestheticappreciation of natural environments. Since its early stages, thescope of environmental aesthetics has broadened to include not simplynatural environments but also human and human-influenced ones. At thesame time, the discipline has also (...)
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  • Language and Reality.Menno Lievers - 2021 - In Second Thoughts. Tilburg, Netherlands: pp. 261-277.
    An introduction to philosophy of language since Frege, focusing on the 20th century.
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  • The Sublime.Melissa Merritt - 2018 - New York: Cambridge University Press.
    This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' and nothing in nature can in fact be absolutely great, Kant concludes that strictly speaking what is sublime can only be the human calling to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element (...)
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  • Commentary: Commentary: Beauty Requires Thought.Katharina Bluehm - 2018 - Frontiers in Psychology 9.
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  • One more time on the alleged repugnance of Kant's ethics? Schiller's Kallias letters and the entirety of the human being.Antonino Falduto - 2020 - European Journal of Philosophy 29 (4):795-810.
    European Journal of Philosophy, Volume 29, Issue 4, Page 795-810, December 2021.
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  • Kant’s “Theory of Music”.Oliver Thorndike - 2021 - Con-Textos Kantianos 14:416-438.
    One thing to expect from a theory of absolute music is that it explains what makes it so significant to us. Kant rightly observes that the essence of absolute music is our affective response to it. Yet none of the standard 18 th century theories, arousal theory and aesthetic rationalism, can explain both the universality of a judgment of taste and its subjective emotional content. The paper argues that Kant’s own aesthetic theory of aesthetic ideas is on the right path (...)
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  • Notes Towards a (Neurobiological) Definition of Beauty.Semir Zeki - 2019 - Gestalt Theory 41 (2):107-112.
    Summary Humans know when they themselves experience beauty, even though the term itself has been difficult to define adequately for a variety of reasons. Given this centuries’ old failure to give an adequate definition of beauty, perhaps the time has come to enquire whether the experience of beauty, regardless of its source, can be defined in neural terms.
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  • (3 other versions)Environmental aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.
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