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Reason and Experience in Mendelssohn and Kant

New York, NY: Oxford University Press (2020)

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  1. Teoria dell'errore in Kant, tra Sogni di un visionario e Critica della ragion pura.David Del Bianco - 2022 - Lebenswelt: Aesthetics and Philosophy of Experience 18.
    I _Sogni di un visionario chiariti con sogni della metafisica_ del 1766 sono sempre stati visti come un'opera unica all'interno dell'intera produzione filosofica di Kant. Se tradizionalmente si è visto in questo scritto il momento di massima vicinanza a Hume e quindi di massimo scetticismo antimetafisico da parte di Kant, negli ultimi tre decenni non sono mancate letture che hanno visto in esso non soltanto una continuità con la metafisica kantiana precedente ma anche un interesse vero e genuino da parte (...)
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  • Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Aesthetics.Larissa Berger (ed.) - 2023 - Boston: De Gruyter.
    The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...)
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  • Kant on the Jews and their Religion.Wojciech Kozyra - 2020 - Diametros 17 (65):32-55.
    The main focus of the article is the analysis of Kant’s notion of Judaism and his attitude toward the Jewish nation in a new context. Kant’s views on the Jewish religion are juxtaposed with those of Mendelssohn and Spinoza in order to emphasize several interesting features of Kant’s political and religious thought. In particular, the analysis shows that, unlike Mendelssohn, Kant did not consider tolerance to be the last word of the enlightened state in matters of its coexistence with religion. (...)
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  • 18th century German aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
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  • Moses mendelssohn.Daniel Dahlstrom - 2008 - Stanford Encyclopedia of Philosophy.
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  • Dialética do recomeço: Mendelssohn e a refundação moderna da metafísica como história da filosofia.Fábio Mascarenhas Nolasco - forthcoming - Kant E-Prints:244-285.
    Este ensaio busca oferecer uma coleção de materiais historiográficos, em sua maior parte traduzidos do alemão, a bem da contextualização mais detalhada do papel de Moisés Mendelssohn no debate filosófico alemão da segunda metade do XVIII, em especial no que concerne à provável influência de suas reflexões em Kant e Hegel. Inicio com a consideração das novidades trazidas à tona por M. Serres no que concerne à interpretação de Leibniz, e o faço com o intuito de introduzir em sentido amplo (...)
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  • The 1860s Kant revival and the Philosophical Society of Berlin.Lauri Kallio - 2021 - Kant E-Prints 15 (3):192-219.
    Neo-Kantianism emerged over the course of the 1860s and it occupied a leading position in the German universities from the 1870s until the First World War. Demands for getting "back to Kant" had become common since the early 1860s, and these demands were discussed in the meetings of the Philosophical Society of Berlin (Philosophische Gesellschaft zu Berlin; PGB), which was the international organization of Hegelians. In this paper I address some reactions among the PGB members to the 1860s Kant revival. (...)
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  • Departing the parting – Jean-François Lyotard's 'The Hyphen' in light of Jewish and Christian studies.Jonathan Anderson - unknown
    History is narrated, as any good storyteller knows, and narration depends for its effects on our notions and metaphors. In their 2002 introduction to 'The Ways That Never Parted', Annette Yoshiko Reed and Adam H. Becker write “The notion of an early and absolute split between Judaism and Christianity, but also the 'master narrative' about Jewish and Christian history that pivots on this notion is being called into question”. In this thesis, by bringing the philosopher Jean-François Lyotard’s 'The Hyphen' into (...)
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