Martin Heideggers Holzwege erschien 1950 und präsentierte dem Publikum seine Überlegungen zum "Ursprung des Kunstwerkes", zur "Zeit des Weltbildes", zu "Hegels Begriff der Erfahrung", zu "Nietzsches Wort 'Gott ist tot'", zur Frage "Wozu Dichter?" und zum "Spruch des Anaximander". Damit liegen in diesem Band einige der wichtigsten Beiträge aus Heideggers Spätwerk vor, in dem er sich kritisch mit der Geschichte der Metaphysik auseinandersetzt und sich in der Begegnung mit Kunst, Dichtung und der vorsokratischen Philosophie um neue Wege des Denkens bemüht. (...) Seit seinem Erscheinen hat dieser Band, der in zahlreichen Übersetzungen vorliegt, die Rezeption von Heideggers Denken maßgeblich geprägt. Mittlerweile liegen zahlreiche andere Texte Heideggers gerade aus den 1930er und 1940er Jahren vor. Diese erlauben eine bessere Einordnung der in Holzwege veröffentlichten Texte und somit auch eine vertiefte Interpretation des Heidegger'schen Spätwerkes. Genau darum bemüht sich der vorliegende Band, der die Aufsätze aus Holzwege sowohl vor dem Hintergrund von Heideggers eigenem Denkweg als auch im weiteren Rahmen der Philosophiegeschichte diskutiert Dieser Band eignet sich zur allgemeinen Einführung in Heideggers Spätwerk als auch zu einer vertieften Auseinandersetzung mit Detailfragen zu seinem Denken. (shrink)

In his lecture course “The Fundamental Concepts of Metaphysics” Martin Heidegger repeatedly alludes to experiments with insects as examples for the relation of animals to the world. One report deals with a photograph made through the compound eye of a glow worm. By questioning what the glow worm might see, Heidegger separated animal vision from human vision as ontologically incomparable. In my paper I first show the source of Heidegger’s report and then discuss how deeper knowledge of the original investigation (...) might shed new light on Heidegger’s presentation and his conclusions. (shrink)

In his lecture course “The Fundamental Concepts of Metaphysics” (1929–1930) Martin Heidegger repeatedly alludes to experiments with insects as examples for the relation of animals to the world. One report deals with a photograph made through the compound eye of a glow worm. By questioning what the glow worm might see, Heidegger separated animal vision from human vision as ontologically incomparable. In my paper I first show the source of Heidegger’s report and then discuss how deeper knowledge of the original (...) investigation might shed new light on Heidegger’s presentation and his conclusions. (shrink)

The aim of this paper is to revisit Heidegger’s phenomenological reading of Rilke with a view to eliciting its implications for our future and that of phenomenology. The paper focuses on how Heidegger, despite regarding Rilke as a much-needed poet in these destitute times, criticises the metaphysical and Nietzschean underpinnings of his poetic account of the open and animal existence within it. In addition to shedding considerable light on Heidegger’s own conception of the open and human existence within it, focusing (...) on this criticism unde rscores how the sort of phenomenological thinking exemplified in Heidegger’s reading of Rilke essentially and uniquely provides an opening of the future. (shrink)

In this article, I focus on the problem of body as it is developed in Heidegger’s Zollikon Seminars, in contrast with its enigmatic concealment in Being and Time. In the first part, I emphasize the implicit connection of Heidegger’s approach of body with Husserl’s problematic of Leib and Körper, and with his phenomenological analyses of tactility. In the second part, I focus on Heidegger’s distinction between the limits of the lived body and the limits of the corresponding corporeal thing, opening (...) to an ontological understanding of the ecstatic bodying forth of the body. In the third part, I analyse this ecstatic bodiliness in relation to the problem of spatiality, exploring the tension between the here and the over there in the experience of the embodiment. Heidegger not only refuses to understand the space starting from the here of the body, but he also refuses to understand the body starting from the here of the space. Thus, there are two interconnected inversions that Heidegger operates in relation to Husserl: In the topic of spatiality, he rejects the pre-eminence of the here; in relation to the body, he contests the primacy of tactility. Finally, the conclusion stresses that, even if the bodying forth penetrates almost all behaviour of Dasein in the world, there is however a limit of embodiment, an unreachable frontier beyond any possibility of the bodying forth, namely the understanding of being. This also implies that the problem of body needs be understood in the context of the ontological difference. (shrink)

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

O objetivo do presente texto é investigar as articulações essenciais de três noções decisivas para a constituição do pensamento heideggeriano posterior à assim chamada virada : acontecimento apropriativo , seer e linguagem. Para tanto, deter-nos-emos fundamentalmente na análise de algumas passagens importantes do escrito Beiträge zur Philosophie . Através desta análise, procuraremos, ao mesmo tempo, revelar em que medida o conceito de acontecimento apropriativo possui uma relação direta com o acontecimento de uma apropriação de si mesmo por parte do homem (...) enquanto ser-aí.The central goal of this paper is investigating the essential liaison between three decisive concepts for Martin Heidegger's thought after the so-called "turn" : Event , Being and Language. In order to do this we will mainly analyse certain important passages of the book Contributions to Philosophy . Through this analysis we will try to show at the same time in which measure the enowning is in a fundamental relationship with the occurrence of a self-appropriation of the man as Dasein. (shrink)