Greek tragedy is full of rituals perverted by intra-familial conflict. To mention some examples from the house of Atreus: the funeral bath and the funeral covering, normally administered to a man's corpse by his wife as an expression of ιλία, have in Aeschylus' Oresteia become instruments in the killing of Agamemnon; the pouring of libations at the tomb, normally a θελκτήριον for the dead, becomes in the Choephoroi an occasion for his arousal; Euripides has Klytaimnestra ‘sacrificed’ while performing the sacrifice (...) for her newly born grandchild. On the important question of why it is that tragedians pervert ritual I hope to shed some light in future publications. The purpose of this paper is to examine the radical form taken by the perversion of mourning in Sophokles' Elektra. In the first decade of this century the comparative anthropologists Hertz and van Gennep discovered as a widespread feature of the period of mourning its character as participation in the transitional state of the recently dead, to be ended by the incorporation of the dead person into his or her proper destination and the reincorporation of the mourners into the flow of everyday social life. The mourning relatives in a sense share the condition of the dead. (shrink)

Greek tragedy is full of rituals perverted by intra-familial conflict. To mention some examples from the house of Atreus: the funeral bath and the funeral covering, normally administered to a man's corpse by his wife as an expression of ιλία, have in Aeschylus' Oresteia become instruments in the killing of Agamemnon; the pouring of libations at the tomb, normally a θελκτήριον for the dead, becomes in the Choephoroi an occasion for his arousal; Euripides has Klytaimnestra ‘sacrificed’ while performing the sacrifice (...) for her newly born grandchild. On the important question of why it is that tragedians pervert ritual I hope to shed some light in future publications. The purpose of this paper is to examine the radical form taken by the perversion of mourning in Sophokles' Elektra. In the first decade of this century the comparative anthropologists Hertz and van Gennep discovered as a widespread feature of the period of mourning its character as participation in the transitional state of the recently dead, to be ended by the incorporation of the dead person into his or her proper destination and the reincorporation of the mourners into the flow of everyday social life. The mourning relatives in a sense share the condition of the dead. (shrink)

Throughout the development of an "ethic of care" different from an "ethic of justice," the relationship between the two has been problematic. Are they theories between which one must choose? Are they complementary? Are they domain-specific? In support of my view that neither is adequate by itself, I here examine the private domain of care of the dying by intimates, and find there important issues both of care and of justice.

In teaching a class on what is arguably the most "sensational" area of anthropological study, i.e., the practices, beliefs, and behaviors that have been essentialized as magic, witchcraft, and religion by western theorists, one is faced with the problem of legitimizing something that many of our students view as unbelievable. Teaching a course in this area at a small, liberal arts college in Maine, I had to come to terms with just these sorts of problems, i.e., how do we get (...) people to enter into, posit and understand other ways of seeing and being that are radically different from their own? This paper discusses the structure (emic/etic) that I use to expose my students to problems of framing and understanding various ethnographic works through performing them, interpreting them, and debating them in class. (shrink)