This essay tracks the movement in Édouard Glissant’s work from thinking relationality as creolisation to Relation as such, to a globalised sense of cultural contact and transformation he ca...

My goal in this essay is to demonstrate the continuing relevance of Hegel’s theory of right for contemporary emancipatory politics. Specifically, my contention is that Hegel’s Philosophy of Right can and should be read as defending the possibility of principled, decisive side-taking in political struggles. By revisiting Hegel’s Philosophy of Right, I seek to demonstrate four interconnected theses: that the will’s freedom is both a) the fundamental principle upon which genuinely political change can be grounded, and b) essentially external to, (...) or subtractable from, any and all social alignments; but is nonetheless c) necessarily actualized in specifically political institutions, and finally d) only truly actualized through emancipatory reforms of such institutions. In combination, these four theses demonstrate that politics is the principled, decisive and emancipatory reform of existent political institutions through historically determined political movements. Having established these basic theses, I will examine how the philosophy and politics of ‘prescriptive reform’ operates in practice. (shrink)

Postcolonial criticism has repeatedly debunked the ostensible neutrality of the ‘world’ of world literature by pointing out that and how the contemporary world – whether conceived in terms of cosmopolitan conviviality or neoliberal globalization – cannot be understood without recourse to the worldly event of Europe’s colonial expansion. While we deem this critical perspective indispensable, we simultaneously maintain that to reduce ‘the world’ to the world-making impact of capital, colonialism, and patriarchy paints an overly deterministic picture that runs the risk (...) of unwittingly reproducing precisely that dominant ‘oneworldness’ that it aims to critique. Moreover, the mere potentiality of alternative modes of world-making tends to disappear in such a perspective so that the only remaining option to think beyond oneworldness resides in the singularity claim. This insistence on singularity, however, leaves the relatedness of the single units massively underdetermined or denies it altogether. By contrast, we locate world literature in the conflicted space between the imperial imposition of a hierarchically stratified world (to which, as hegemonic forces tell us, ‘there is no alternative’) and the unrealized ‘undivided world’ that multiple minor cosmopolitan projects yet have to win. It is precisely the tension between these ‘two worlds’ that brings into view the crucial centrality not of the nodes in their alleged singularity but their specific relatedness to each other, that both impedes and energizes world literature today and renders it ineluctably postcolonial. (shrink)

The post-colonial has often functioned as a code word for a form of French post-theory. In more recent efforts to reconstruct linkages between metropolitan Marxism and counter-colonialism, the post-colonial refers to an open-ended research field for investigating the present weight of colonial histories. But even in these reformulations, post-colonial research presents formidable challenges to Euro-American urban Marxism. In this context, this paper redirects Henri Lefebvre’s work to analyse post-colonial situations. It traces in particular the notion of ‘colonisation’ as it develops (...) from his critique of everyday life to his work on the state. We argue that Lefebvre’s notion of ‘colonisation’ presents a promising opening to understanding the ‘colonial’ aspects of urbanisation today. Still, for this promise to be realised, Lefebvre’s notion must be refracted through dialectical-humanist counter-colonial traditions. (shrink)

This article considers the challenge posed by Gayatri Spivak to rethink world literature along postcolonial lines as an ethical encounter with alterity. Read in this way, Spivak participates in a reframing of world literature that retains the critical gains made by postcolonial theory and suggests that the work of world literary analysis ought not necessarily be de/prescriptive but might involve a contestation of the power relations that structure the world. In developing this argument, I draw on four further perspectives: Pascale (...) Casanova's problematic assertion of literary singularity in The World Republic of Letters; Fredric Jameson's theorization of “third world literature” as counterpoint to Casanova's limiting understanding of national literature; Gilles Deleuze, who offers a way to rethink world literature in a process of becoming; and Édouard Glissant, whose work proposes a “relational” vision of difference that, like that of Spivak, demands an ethical, imaginati.. (shrink)

Critical responses to Wide Sargasso Sea have seized upon Rhys's novel as an exemplary model of writing back. Looking beyond the actual repetitions which recall Brontë’s text, I explore Rhys's novel as an expression of virtual difference and becomings that exemplify Deleuze's three syntheses of time. Elaborating the processes of becoming that Deleuze's third synthesis depicts, Antoinette's fate emerges not as a violence against an original identity. Rather, what the reader witnesses is a series of becomings or masks, some of (...) which are validated, some of which are not, and it is in the rejection of certain masks, forcing Antoinette to become-Bertha, that the greatest violence lies. (shrink)

Many educational theoretical approaches to cosmopolitanism tend towards an unconditional appreciation of mobility, diversity and rootlessness. The recent interest of educational philosophy in the rhizome, de-territorialization and diversity contributes to this understanding of cosmopolitanism as movement across a borderless and imperfect world. Without downplaying such insights, this article displaces and de-temporalizes them. It takes the form of a parody of the rhizome to view those insights from a different perspective and make them strike a different pedagogical note.

This article critically engages the postsecular turn in feminism by focusing on recent contributions by Judith Butler, Rosi Braidotti, and Saba Mahmood, whose stance can be seen as symptomatic of the postsecular moment. The article demonstrates that their conjoint theoretical moves have unintended yet important implications, which are left unexamined. Whilst recognizing the importance of the effort of postsecular feminism to think of agency beyond the limitations of Eurocentric theorizing, the article argues that it remains unclear whether the particular conceptualization (...) of agency, as detached from autonomy, can have counter-hegemonic effects. The article is concerned with the politics that the postsecular turn in feminism authorizes, and for this purpose it questions to what extent postsecular feminist theorizing risks the neutralization of critical social theory itself, because abandoning autonomy as the foundation of political subjectivity does not allow for the interrogation of arbitrary authorities and the social inequalities that they sustain. (shrink)

Critical responses to Wide Sargasso Sea have seized upon Rhys’s novel as an exemplary model of writing back. Looking beyond the actual repetitions which recall Brontë’s text, I explore Rhys’s novel as an expression of virtual difference and becomings that exemplify Deleuze’s three syntheses of time. Elaborating the processes of becoming that Deleuze’s third synthesis depicts, Antoinette’s fate emerges not as a violence against an original identity. Rather, what the reader witnesses is a series of becomings or masks, some of (...) which are validated, some of which are not, and it is in the rejection of certain masks, forcing Antoinette to become-Bertha, that the greatest violence lies. (shrink)