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  1. Psychical research and the origins of American psychology: Hugo Münsterberg, William James and Eusapia Palladino.Andreas Sommer - 2012 - History of the Human Sciences 25 (2):23-44.
    Largely unacknowledged by historians of the human sciences, late-19th-century psychical researchers were actively involved in the making of fledgling academic psychology. Moreover, with few exceptions historians have failed to discuss the wider implications of the fact that the founder of academic psychology in America, William James, considered himself a psychical researcher and sought to integrate the scientific study of mediumship, telepathy and other controversial topics into the nascent discipline. Analysing the celebrated exposure of the medium Eusapia Palladino by German-born Harvard (...)
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  • Self-Projection: Hugo Münsterberg on Empathy and Oscillation in Cinema Spectatorship.Robert Michael Brain - 2012 - Science in Context 25 (3):329-353.
    ArgumentThis essay considers the metaphors of projection in Hugo Münsterberg's theory of cinema spectatorship. Münsterberg (1863–1916), a German born and educated professor of psychology at Harvard University, turned his attention to cinema only a few years before his untimely death at the age of fifty-three. But he brought to the new medium certain lasting preoccupations. This account begins with the contention that Münsterberg's intervention in the cinema discussion pursued his well-established strategy of pitting a laboratory model against a clinical one, (...)
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  • Mind and knowledge in the early thought of Franz Boas, 1887–1904.Valentina Mann - 2022 - History of the Human Sciences 35 (5):157-184.
    Franz Boas’ articulation of a new historicist and relativistic framework for anthropology stands as the founding moment of the discipline. Accordingly, scholars have sought to trace its source and inspirations, often concluding that Boas’ thought was shaped almost exclusively by his German background and characterized by a foundational methodological tension. Here, I instead show that Boas’ most creative early work benefitted from close interaction with debates in psychology and that his methodological reflections were part of the much wider series of (...)
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  • Screening the Psychological Laboratory: Hugo Münsterberg, Psychotechnics, and the Cinema, 1892–1916.Jeremy Blatter - 2015 - Science in Context 28 (1):53-76.
    According to Hugo Münsterberg, the direct application of experimental psychology to the practical problems of education, law, industry, and art belonged by definition to the domain of psychotechnics. Whether in the form of pedagogical prescription, interrogation technique, hiring practice, or aesthetic principle, the psychotechnical method implied bringing the psychological laboratory to bear on everyday life. There were, however, significant pitfalls to leaving behind the putative purity of the early psychological laboratory in pursuit of technological utility. In the Vocation Bureau, for (...)
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  • Reanimating experimental psychology: Media archaeology, Hugo Münsterberg, and the ‘Testing the Mind’ film series.Jeremy Blatter - 2024 - History of the Human Sciences 37 (2):41-62.
    For historians of psychology, Hugo Münsterberg is best remembered as William James’ successor as director of the Harvard Psychological Laboratory and a pioneer of applied psychology. By contrast, for film and media studies scholars, Münsterberg is recognized less for his contributions to experimental psychology than for those to film theory, a field in which his penultimate book, The Photoplay: A Psychological Study (1916), is frequently claimed as an inaugural text. However, lost in the blind spots of both disciplinary perspectives has (...)
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