: Like the goddess Demeter, Diotima from Mantineia, the prophetess who teaches Socrates about eros and the "rites of love" in Plato's Symposium, was a mystagogue who initiated individuals into her mysteries, mediating to humans esoteric knowledge of the divine. The dialogue, including Diotima's speech, contains religious and mystical language, some of which specifically evokes the female-centered yearly celebrations of Demeter at Eleusis. In this essay, I contextualize the worship of Demeter within the larger system of classical Athenian practices, and (...) propose that Plato borrowed Eleusinian language because it criticized conventional notions of the divine, thereby allowing him to reimagine the possibilities for the philosophical process among humans. (shrink)

In theological discourse of sexuality, queer theory has often been regarded as an extension of the project of gay and lesbian liberation, when it actually challenges an organizing value of the entire discourse, because it challenges any ascription of ultimate value to "sex," an imaginative formation of power relations. Rather than appeal to God to authorize the privileged status of sex, queer commentary suggests that theological writers should refuse assertions of the absolute importance of any particular formation of human imagination (...) as a basis of relation between self and God. The goal is to recognize the violence—symbolized and real—that enforces the worth of certain imaginations of intelligibly sexed personal identity and stunts the formation of alternative imaginations of intelligible personal identity. Critical account of this violence as sentimental-homicidal-suicidal opens space to confess a theological discourse of personal identities that is entirely beyond sex. (shrink)

Cet article analyse la relation entre l’idéal de citoyenneté athénienne et la masculinité (andreía), à partir de la figure des Tyrannicides. En opposition aux lectures “modernisantes” – influencées par Thucydide – de ceux qui voient dans le tyrannicide un acte guidé par une passion amoureuse à caractère “privé”, l’idée avancée ici est que l’éros qui unissait Harmodios et Aristogiton n’était pas occulté dans le récit officiel de la démocratie. L’analyse de l’imagerie des Tyrannicides permet de comprendre l’importance des relations érotiques (...) au niveau idéologique – particulièrement celles de type homosexuel (désignées par le terme de pédérastie) – pour le maintien de la concorde civique et la reproduction du groupe des citoyens. (shrink)