This paper aims to present the main contours of Burns’s literary output which, interestingly enough, grows into a personal understanding of the collective mindset of -Troubles Northern Ireland. It is legitimate, I argue, to construe her fiction as a body of work shedding light on certain underlying mechanisms of sectarian violence. Notwithstanding the lapse of time between 1998 and 2020, the Troubles’ toxic legacy has indeed woven an unbroken thread in the social fabric of the region. My reading of the (...) novelist’s selected works intends to show how the local public have been fed by an unjustified—maybe even false—sense of security. Burns, in that regard, has positioned herself amongst the aggregate of writers who feel anxious rather than placated, hence their persistence in returning to the roots of Northern Irish societal divisions. Burns’s writing, in the above context, though immersed in the world of the Troubles, paradoxically communicates “an idiosyncratic spatiotemporality”, namely an experience beyond the self-imposing, historical time limits. As such, it gains the ability to provide insightful commentaries on conflict-prone relations, the patterns of which can be repeatedly observed in Northern Ireland’s socio-political milieu. Overall, the main idea here is to discuss and present the narrative realm proposed by Burns as determinate, liminal in terms of time and space, positioning readers between “then” and “now” of the region. (shrink)