El presente artículo explora la noción de “trabajo” en O lo uno o lo otro de Kierkegaard. Este libro contiene una discusión entre dos concepciones o modos de vida: la ética y la estética. El concepto de trabajo recibe una atención explícita en la primera y la segunda parte del libro. El propósito principal del discurso ético es superar la desesperación, que es concebida como una comprensión incorrecta del yo y su relación con los otros y el mundo. En este (...) sentido, el trabajo se piensa como un modo de elegirse a sí mismo y evitar la alienación. (shrink)

This article deals with hope – and its importance – by analysing the little-known analysis of hope found in Kierkegaard. Kierkegaard present hope as essential to moral agency, arguingthat hope should never be given up, even if it is not supported by experience. This articlegives an interpretation of the strong claims about the necessity of hope found in Kierkegaardwhich tries to reconstruct some of Kierkegaard’s central claims, arguing that Kierkegaard can be used to sketch a distinction between justified and unjustified (...) hope. (shrink)

This article tries to make sense of the concept of the highest good (eternal bliss) in Søren Kierkegaard by comparing it to the analysis of the highest good found in Immanuel Kant. The comparison with Kant’s more systematic analysis helps us clarify the meaning and importance of the concept in Kierkegaard as well as to shed new light on the conceptual relation between Kant and Kierkegaard. The article argues that the concept of the highest good is of systematic importance in (...) Kierkegaard, although previous research has tended to overlook this, no doubt due to Kierkegaard’s cryptic use of the concept. It is argued that Kierkegaard’s concept of the highest good is much closer to Kant’s than what previous research has indicated. In particular, Kant and Kierkegaard see the highest good not only as comprising of virtue and happiness (bliss), but also as being the Kingdom of God. (shrink)

The explicit topic of Fear and Trembling's third Problema (the longest single section, accounting for a third of the book's total length), the theme of Abraham's silence stands not far in the background in every other section, and its importance is flagged by the pseudonym—Johannes de silentio—under which Kierkegaard had the book published. Here I aim to defend an interpretation of the meaning of the third Problema's central claim—that Abraham cannot explain himself, 'cannot speak'—and to argue on its basis for (...) an interpretation of the work as a whole. (shrink)

Rahel Jaeggi’s theory of alienation has received less attention than her work on forms of life and capitalism. This theory avoids the problems of traditional theories of alienation: objectivism, paternalism, and essentialism. It also sidesteps post-structuralist criticisms of the theory of alienation. However, Jaeggi’s theory is flawed in two ways: it is not historically specific, and so cannot explain why alienation is a problem for modernity rather than other historical periods, and it is difficult to connect to social critique. I (...) argue that Karl Marx’s later theory of alienation, as interpreted by Moishe Postone and others, is able to avoid the problems that Jaeggi’s theory avoids, and is also able to avoid the flaws in her theory. This suggests that critical theory should focus on a theory of capitalism rather than normative social theory. (shrink)

Is it possible for there to be a fruitful dialogue between Søren Kierkegaard and Buddhists regarding the understanding of the self? In this paper, I explore the possibilities for such a dialogue by first discussing the rejection of substantialism shared by Kierkegaard and Buddhists. Next, although many Buddhists accept a reductionist account of the kind found in the Abhidharma tradition, Madhyamaka thinkers such as Nāgārjuna and Candrakīrti are well-known for offering an account of the self, based on the notion of (...) emptiness, which resembles in some ways the account of the self that is proposed by Kierkegaard’s pseudonym Anti-Climacus in The Sickness Unto Death. Third, I discuss Jonardon Ganeri’s performativist theory of the self and his suggestion that this view, originally developed by Candrakīrti, informs the view of the self which is developed by Kierkegaard’s pseudonym Johannes Climacus in the Concluding Unscientific Postscript. I conclude by exploring how Ganeri’s perfomativist theory of the self can illuminate recent attempts by both Buddhist and Kierkegaard scholars to articulate their accounts of the self by an appeal to narrative. (shrink)

While there has been considerable interest in the writings of Søren Kierkegaard and Fyodor Dostoevsky, both of whom are considered seminal existential thinkers, relatively little has been said about similarities in their thought. In this paper, I propose to read their philosophical and literary works together as texts that offer an elaborate model of an existential religious transformation. Both Kierkegaard and Dostoevsky sketch a path leading from the inauthentic, internally fragmented and egotistic self to the authentically Christian, humble and loving (...) individual. By examining the underlying structure of this transformative process, I try to show that its portrayal is in many ways similar in the account of both writers. Furthermore, I maintain that they set out not only to describe the inner workings of the existential religious transformation, but that their effort constitutes a direct appeal to the reader to initiate the transformative process herself or himself. (shrink)

This paper makes the point that Kierkegaard’s ideas concerning individuality cannot be understood clearly without placing them in the context of what I am calling ontological isolation. This means the radical deprivation by selfhood of every aspect of reality, to the point where not even the possibility or illusion of reality is available to the self. In this context the self is required to become itself, forming itself in and out of its own absolute nothingness, ontological destitution, or wrongness. With (...) this form of isolation as our investigative key, we unlock what Kierkegaard means by his command to become a self, where becoming itself, in absence of prior possibility, constitutes the reality of self, and why Kierkegaard places crucial emphasis, contrary to the tradition, on the priority of negativity. By having the self originate itself in “absolute difficulty,” or that wherein the act itself, or pure doing without result, is primary, Kierkegaard now replaces metaphysics with ethics in order of priority, and places the self inseparably in a world that responds directly to that act. I show here a parallel between Kierkegaard’s approach to ethical action with that of artistic creation of a kind of world, the work of art. In doing so I reveal the inadequacy of interpretations that would impose traditional forms of isolation, social and cosmic, on Kierkegaard, as some of his critics do, or that would place Kierkegaard’s ethics within traditional developmental models, as many of his sympathizers do. (shrink)