A Special Issue of the Journal of Philosophy of Education, 2005, issue 2, contains an interesting ‘Philosophy of the Teacher’ by Nigel Tubbs. It rejects attempts in pedagogical traditions to ignore or avoid the contradiction between the teacher as master and as servant, and ends with an interpretation of ‘upbuilding’, a central concept in Søren Kierkegaard’s writings. According to Tubbs’ reading, the teacher’s patient struggle with herself in doubt is the basic condition for upbuilding, whereby the eternal’s perfect gift of (...) love is given to the students. I maintain that the original Danish text does not fully support this interpretation and defend an alternative reading. The text says that the condition for receiving the perfect gift is itself a gift of God. Doubt is necessary, but if our doubt were sufficient, we could manage our lives without God, the condition for receiving the gift would not be a gift, and the possibility for receiving the gift would be spoiled both for teachers and students. (shrink)

In recent years, secondary literature about 19th Century philosophy has shown a reassessment of both its problems and movements, as well as the role of some philosophers within that scenario. In order to make explicit the contribution undertaken by the Danish philosopher Søren Kierkegaard (1813-1855) to the general context of the anti-Hegelian turn in the middle of that century, this article analyzes the problems concerning categories as the loci of idealistic thesis of unity between logic and ontology as from Kierkegaard’s (...) critique and approach to such problems. (shrink)

Søren Kierkegaard's thesis, "The Concept of Irony", contains an interesting critique of pure irony. Kierkegaard's critique turns on two main claims: (a) pure irony is an incoherent and thus, unrealizable stance; (b) the pursuit of pure irony is morally enervating, psychologically destructive, and culminates in bondage to moods. In this essay, first I attempt to clarify Kierkegaard's understanding of pure irony as "infinite absolute negativity." Then I set forth his multilayered critique of pure irony. Finally, I consider briefly a distinctly (...) theological component in Kierkegaard's critique. I argue that this feature of Kierkegaard's account can and should be distinguished from the broadly ethical critique of pure irony that I sketch in the second section, even if these components of Kierkegaard's position are found together as a unified whole in "The Concept of Irony". My overall goal in this essay is to reveal the subtlety and plausibility of Kierkegaard's critique of pure irony. I also attempt to disclose the richness of the Hegelian account of ethical life to which Kierkegaard recurs in his thesis. (shrink)

Baudrillard interpreta el «nuevo terrorismo» como un intercambio simbólico de regalo y contra-regalo: la muerte del terrorista es un contra-regalo irrefutable que rompe el círculo coercitivo de las relaciones sociales «impuestas» por el sistema global. A su vez, la concepción de Derrida tiene dos dimensiones, explicativa y normativa: en primer lugar, Derrida considera el 11-S como un síntoma multifacético de una crisis autoinmune que tiene aspectos políticos, religiosos y tecno-capitalistas. En segundo lugar, Derrida arguye que existe un «momento» de terror, (...) violencia y sacrificio que es constitutivo en las decisiones y en la responsabilidad éticas. De forma crítica, argumentaré que la concepción de Baudrillard se basa en una noción extremada y partidista de un sistema que se interpreta como un inmenso mandato de un gobernante totalitario. Por su parte, Derrida convierte de forma innecesaria la observación de que las acciones humanas pueden tener consecuencias perversas en una ley de la autoinmumidad inspirada en la biología. Al considerar el terror como algo constitutivo incluso en las relaciones éticas más comunes, Derrida corre también el riesgo de convertir un fenómeno extremado en un concepto que lo abarca todo, y de perder contacto con la práctica ética corriente. Concluiré que las concepciones de Baudrillard y de Derrida sobre el terror y el terrorismo comparten un «gusto por lo extremado» que las hace en última instancia poco convincentes. (shrink)