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The Embryology of the (In) visible

In Taylor Carman & Mark B. N. Hansen, The Cambridge Companion to Merleau-Ponty. New York: Cambridge University Press (2004)

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  1. The Primacy of Skilled Intentionality: on Hutto & Satne’s the Natural Origins of Content.Julian Kiverstein & Erik Rietveld - 2015 - Philosophia 43 (3):701-721.
    Following a brief reconstruction of Hutto & Satne’s paper we focus our critical comments on two issues. First we take up H&S’s claim that a non-representational form of ur-intentionality exists that performs essential work in setting the scene for content-involving forms of intentionality. We will take issue with the characterisation that H&S give of this non-representational form of intentionality. Part of our commentary will therefore be aimed at motivating an alternative account of how there can be intentionality without mental content, (...)
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  • Computational biology and the limits of shared vision.Annamaria Carusi - 2011 - Perspectives on Science 19 (3):300-336.
    Since the 1980s, several studies of visual perception have persuasively argued that important aspects of human vision are best accounted for not by recourse to inner mental representations but rather through socially observable actions and behaviors (e.g. Lynch 1985, Latour 1986, Lynch 1990, Goodwin 1994, Goodwin 1997, Sharrock & Coulter 1998). While there are clearly physiological mechanisms required for vision, psychological accounts of perception in terms of inner mental representations have been dislodged from their position as the basic term in (...)
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  • Worlds Apart? Reassessing von Uexküll’s Umwelt in Embodied Cognition with Canguilhem, Merleau-Ponty, and Deleuze.Tim Elmo Feiten, Kristopher Holland & Anthony Chemero - 2020 - Journal of French and Francophone Philosophy 28 (1):1-26.
    Jakob von Uexküll’s (1864-1944) account of Umwelt has been proposed as a mediating concept to bridge the gap between ecological psychology’s realism about environmental information and enactivism’s emphasis on the organism’s active role in constructing the meaningful world it inhabits. If successful, this move would constitute a significant step towards establishing a single ecological-enactive framework for cognitive science. However, Uexküll’s thought itself contains different perspectives that are in tension with each other, and the concept of Umwelt is developed in representationalist (...)
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  • Semiosis as Individuation: Integration of Multiple Orders of Magnitude.Vefa Karatay, Yagmur Denizhan & Mehmet Ozansoy - 2016 - Biosemiotics 9 (3):417-433.
    This paper proposes Gilbert Simondon’s ontogenetic theory of individuation as an overarching framework for multilevel semiosis. What renders this theory suitable for this role is the fact that it shares a significant part of its heritage with biosemiotics, which provides compatibility between them. Unlike many philosophers who have worked on individuation, Simondon envisages a general process of individuation that starts with a metastable preindividual. This process ultimately constitutes an axiomatisation of ontogenesis and manifests itself in three basic modes: physical, vital (...)
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  • Symmetry-breaking dynamics in development.Noah Moss Brender - 2017 - Phenomenology and the Cognitive Sciences 16 (4):585-596.
    Recognition of the plasticity of development — from gene expression to neuroplasticity — is increasingly undermining the traditional distinction between structure and function, or anatomy and behavior. At the same time, dynamic systems theory — a set of tools and concepts drawn from the physical sciences — has emerged as a way of describing what Maurice Merleau-Ponty calls the “dynamic anatomy” of the living organism. This article surveys and synthesizes dynamic systems models of development from biology, neuroscience, and psychology in (...)
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  • Merleau-Ponty and Emergent Perception.Zachary Simpson - 2011 - Journal of the British Society for Phenomenology 42 (3):290-304.
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  • Ontology and Painting, or: Merleau-Ponty’s Eye and Mind and its relation to the Ocular.Clark Ross - unknown
    In this paper I put forward an argument concerning the place and significance of painting in Merleau-Ponty’s famous last essay Eye and Mind. I argue that for Merleau-Ponty modern philosophy comes about through an engagement with vision – in an attempt to think its peculiar virtue of “action at a distance” – but ends up betraying this dynamic, by offering us an account of vision that is grounded in the spontaneity of the mind. In this sense I claim that Eye (...)
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