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  1. The Literary and Dramatic Character of Hume's Dialogues Concerning Natural Religion1: A. G. VINK.A. G. Vink - 1986 - Religious Studies 22 (3-4):387-396.
    The purpose of this paper is to establish the importance of what is sometimes called ‘the literary and dramatic character’ of Hume's Dialogues. This importance is such that not taking this specific character of the Dialogues into account leads to conclusions opposite to the ones Hume, in the special form he gave to his work, was trying to impart to his readers. I will offer my analysis in opposition to the one, voiced by, for instance D. W. Harward, in which (...)
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  • Who speaks for Hume: Hume’s presence in the Dialogues concerning natural religion.Aleksandra Davidović - 2021 - Belgrade Philosophical Annual 1 (34):113-137.
    One of the reasons for many different and even opposing interpretations of Hume’s Dialogues Concerning Natural Religion is the absence of consensus concerning the question of which character in the Dialogues represents Hume. In this paper I argue that taking Philo to be his primary spokesperson provides us with the most consistent reading of the whole work and helps us better understand Hume’s religious viewpoint. I first stress the specific dialogue form of Hume’s work, which requires us to take into (...)
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  • Who speaks for Hume: Hume's presence in the 'Dialogues concerning Natural religion'.Aleksandra Davidović - 2021 - Belgrade Philosophical Annual 1 (34):113-137.
    One of the reasons for many different and even opposing interpretations of Hume's Dialogues Concerning Natural Religion is the absence of consensus concerning the question of which character in the Dialogues represents Hume. In this paper I argue that taking Philo to be his primary spokesperson provides us with the most consistent reading of the whole work and helps us better understand Hume's religious viewpoint. I first stress the specific dialogue form of Hume's work, which requires us to take into (...)
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