To what extent can humorism be a legitimate disposition toward the Absurd? The Absurd is born from the insurmountable contradiction between one’s ceaseless striving and the absence of an ultimate resolution – or, as I prefer to call it, the ‘dissolution of resolution’. Humoristic Absurdism is the commitment to a pattern of humorous responses to the Absurd, which regard this absurd condition, as well as its manifestation in absurd situations, as a comical phenomenon. Although the humoristic disposition seems promising, by (...) virtue of humor’s recognition of incongruity and its denial of an ultimate resolution, and succeeds in countering three major objections, it falls prey to the claim that comprehensive humorism portrays as frivolous what is earnest, thereby renouncing the gravity of the desire for ultimate resolution, which is fundamental to the notion of the Absurd. In an attempt to explore alternative roles for humor in a legitimate disposition toward the Absurd, Metamodern Absurdism is suggested, which revolves around a post-ironic oscillation between humor and earnestness. In short, only in a role limited to one pole of an oscillatory pattern of responses can humor be integrated in a legitimate disposition toward the Absurd. (shrink)

The main purpose of this article is to underline the crucial significance of laughter, a hitherto neglected matter in the study of the Zhuangzi. It aims to show that focusing on laughter is beneficial in order to achieve a more comprehensive understanding of some of the most philosophically relevant problems in the Zhuangzi since a careful analysis of the role of laughter may reveal a great deal of debate concerning such issues as life, death, friendship, social relations, and ritual in (...) this text. This article discusses then the positive role that laughter plays in the Zhuangzi in contexts traditionally governed by the rules of seriousness, formality, and circumspection, from both an anthropological and a philosophical perspective. (shrink)

In this article, I present different readings of Confucius's irony in the Analects (or Lunyu 論語) and expand on the implications of irony for how we perceive Confucius. Scholars who have appreciated the irony of Confucius tend to see it as distinctive of an unsagely, everyday man, often juxtaposed to the dominant image of the Master as a hyperserious sage. Moreover, irony is considered a pedagogical tool. These readings mainly recognize verbal irony (Confucius means the opposite of what he says). (...) I discuss a second type of irony: complex irony (Confucius both means and does not mean what he says). I argue that sageliness is not incompatible with irony, and further propose that complex irony can be found beyond the sentence level; it can be the feature of the relation between specific sayings. Adapting to his interlocutors' diverse personalities and needs, and to a constantly changing world, Confucius sometimes provides different and even conflicting answers to the same questions, based on contextual appropriateness. Each answer is meant to be taken literally and fits one concrete situation. The same answer, however, can be simultaneously ineffective or even dangerous in another albeit seemingly similar context. Thus Confucius sometimes both means what he says and does not mean it in an absolute sense. (shrink)

The “Chu shuo” 儲說 chapters of the Hanfeizi 韓非 子, attributed to Han Fei 韓非, encompass an extensive collection of anecdotes. The jing 經 sections of these chapters are traditionally understood to be a set of “canonical” teachings, to be explicated by the anecdotes in the shuo 說 sections. Eschewing this assumption, my analysis substantiates an alternative hypothesis that sees many of the jing texts as later superimpositions intended to serve as paratexts to existing anecdotal collections. By interpreting the jing (...) and shuo sections as paratexts and main texts, respectively, this study reveals how early compilers sought to organize and inventory information, as well as to guide future users’ understanding and memorization of the anecdotal materials. This approach not only facilitates the reconstruction of early frameworks of information management and knowledge acquisition, but also places the “Chu shuo” chapters in a comparative context. It also proffers new answers to several long-standing philological debates, such as the meaning and function of the label yi yue 一曰. In its conclusion, this study draws attention to potential continuities between the pre-imperial and imperial periods’ textual and bibliographical practices. (shrink)

_An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications._.

Scholars have often recognized the “touch of irony” in Kongzi’s “collected conversations” (Lunyu 論語 or Analects of Confucius). Some interpreters have taken the ironic face as one of his faces. Others have celebrated the ironic Kongzi as the “true” depiction of the Master. This paper presents two seemingly contrasting images of Kongzi – the non-ironic sage and the ironic non-sage – and looks at their assumptions. I then explore the methodological implications of taking the Master’s irony seriously. I argue that, (...) touching upon irony, any interpretation is necessarily touched by it – it renders itself ironic. Finally, I discuss the post-comparative approach as an ironic approach. Post-comparative readings recognize that identity is the necessary condition for the transformation of identity. In this way, Kongzi’s irony is transformed by but also transforms more familiar, non-Chinese discourses on irony. (shrink)