This article is a response to yuriko saito's "is there a correct aesthetic appreciation of nature?" (jae 18:4) which challenges the position on the aesthetic appreciation of nature that i develop in a series of recent articles. i here consider saito's arguments, concluding that they neither establish the correctness of a wide range of kinds of aesthetic appreciations of nature nor undercut the grounds for the prominence i grant to scientific considerations in such appreciation.

Allen Carlson and Sheila Lintott (eds): Nature, Aesthetics, and Environmentalism: From Beauty to Duty Content Type Journal Article DOI 10.1007/s10806-010-9258-2 Authors Nathaniel Barrett, Institute for the Biocultural Study of Religion 1711 Massachusetts Ave NW #308 Washington DC 20036 USA Journal Journal of Agricultural and Environmental Ethics Online ISSN 1573-322X Print ISSN 1187-7863.

The history of ideas normally invoked by animal liberationists and their opponents cannot account for our basic wildlife protection attitudes, which actually developed out of the worldwide species?classification project begun by Linnaeus in the eighteenth century. These attitudes, formed in terms of a pre?evolutionary and pre?ecological belief in fixed and immutable species, were weakened to some degree by the rise of evolutionary theory and ecological science, since evolution provides a mechanism for the replacement of extinct species and depicts extinction as (...) natural, and ecology teaches that ecosystems naturally adjust when species are lost. Wildlife protection attitudes are preservationist in so far as they are concerned with the preservation of species and conservationist in so far as they are concerned with the lives of individual animals and populations. From all perspectives except that of animal liberation, wild animals are predominantly viewed in terms of instrumental value: as a means to the continuation of species, the maintenance of healthy ecosystems, and for various other anthropocentric purposes. These various perspectives fit together within an aesthetic conception of wildlife which is strongly Platonic. From an aesthetic standpoint, wild animals, as exemplications of various species, are more analogous to mass?produced toys, admired for their design or structure, than the natural equivalent of original works of art admired for their own sakes. (shrink)

Argues that, to make progress within environmental ethics, philosophers must explicitly engage in environmental metaphysics.