[[THIS IS THE COMPLETE SECOND ISSUE OF MΕTASCIENCE]] -/- This second issue of the journal Mεtascience continues the char acterization of this new branch of knowledge that is metasci ence. If it is new, it is not in a radical sense since Mario Bunge practiced it in an exemplary way, since logical positivists were accused of practicing only a mere metascience, since scientists have always practiced it implicitly, and since some philosophers no longer practice philosophy but rather metascience, but without (...) characterizing it or theorizing it, that is, without realizing that they have abandoned one general discourse for another. The novelty therefore lies in this aware ness that a general discourse without philosophy is possible: a scien tific general discourse. The twelve contributions gathered in this volume illustrate the metascientific approach to knowledge of the world as well as to knowledge of knowledge of the world, that is, science. And like Bunge’s project, they are neither part of the analytical movement nor the continental movement in philosophy. We will read here studies about the Bungean system, some applications of Bungean thought, some metascientific contributions, and some reflections around meta science. Among metascientific disciplines, ontology occupies a prominent place in this issue of Mεtascience. Metascience differs from philoso phy in its rejection of the fundamental philosophical distinction be tween appearance and reality. Metascientific ontology therefore does not postulate the existence of any metaphysical reality. But metasci entific ontology, no more than philosophical ontology, is a factual sci ence. The first, because it studies scientific constructs and not concrete objects, the second, because it is interested in transcendent or meta physical objects. (shrink)

Imagine a billiard table, with several red billiard balls. Suppose that one of them impacts another. It could be claimed that the first billiard ball, the cause, makes direct contact with the second one, the effect. If we had to generalize this for all things, not just billiard balls, we would say that “thing A causes thing B”. As we shall see, both Bunge and Harman reject the preceding view of causation. They would agree that the statement “thing A causes (...) thing B” is false. This is because things do not make direct causal contact with each other, there has to be a third element that links them. In Bunge’s case, two things are linked by events. In Harman’s case, two real objects are linked by a sensual object. (shrink)

Imagine a billiard table, with several red billiard balls. Suppose that one of them impacts another. It could be claimed that the first billiard ball, the cause, makes direct contact with the second one, the effect. If we had to generalize this for all things, not just billiard balls, we would say that "thing A causes thing B". As we shall see, both Bunge and Harman reject the preceding view of causation. They would agree that the statement "thing A causes (...) thing B" is false. This is because things do not make direct causal contact with each other, there has to be a third element that links them. In Bunge's case, two things are linked by events. In Harman's case, two real objects are linked by a sensual object. (shrink)

In this paper, I will discuss the need for a theory of essences within Object-Oriented Ontology (OOO) and then formulate one. I will do so by drawing on Graham Harman’s work on OOO and Martin Heidegger’s thought on the essence of being, presented in his Introduction to Metaphysics. Harman touches on essences, describing them as the tension between a withdrawn object and its withdrawn qualities, but fails to distinguish between essential and inessential qualities within this framework. To fill in the (...) gaps, I will turn to Heidegger’s explication of phusis in order to show that an essential aspect of being is how one enters into causal relations and continually reveals oneself to other beings. In bringing OOO and Heidegger together, I will find that each object has a unique way of exerting itself in the world and that the domestic relations that make up this unique profile are essential to it, while other domestic relations, those that do not influence its particular way of exerting itself, are inessential. Thus, the essence will be found to be the set of domestic relations that make up the determinate form, or unique causal profile, of the object. (shrink)

This paper discusses the repercussions of a new metaphysics—speculative/weird realism—for education and pedagogy. A historic shift is taking place in present-day continental philosophy, which involves an explicit and renewed call for realism. One of the most salient features of this development is a revitalised interest in ontological questions. As part of this overall trend towards realist and materialist ontologies in current continental thinking, the paper particularly focuses on Graham Harman’s object-oriented ontology, which claims that aesthetics is first philosophy. Harman’s object-oriented (...) philosophy is an approach to metaphysics and ontology that is enamored by the experience of the vibrant yet inscrutable autonomous reality of objects. In order to come to terms with this new approach to reality, I suggest education be conceived as the cultivation of an aesthetic attitude understood as the ability to uphold the tension between relational and non-relational aspects of objects understood in the Harmanian idiom. (shrink)

The conceptualization of the notion of subjectivity within the Anthropocene finds in Rosi Braidotti’s posthumanism one of its most explicit and profuse modulations. This essay argues that Braidotti’s model powerfully accounts for the Anthropocene’s subjectivity by conceiving the “self” as a transversal multiplicity and its relationality to the “others” and the “world” as non-hierarchized by nature–culture distinctions; however, by being ontologically grounded on a neo-Spinozistic monism, Braidotti’s model blurs the notions of finitude, agency, and change, obscuring the possibility of critical (...) dissent while decreasing the overall theory’s consistency. An alternative ontological model capitalizing on these elements can be found in Object-Oriented Ontology and its notion of withdrawal. By associating OOO’s non-onto-taxonomical pluralism with Braidotti’s posthuman subjectivity, this essay aims at ontologically discretizing the latter in order to overcome these limitations. Grounded on this association and invoking a narrative imaginary propelled by the Greek terms xenos and xenia, the article paves the way for a form of subjectivity deviating from Braidotti’s ecological model and defined as xenological, arguing that, within the context of the Anthropocene, it constitutes an adequate alternative to Braidotti’s subjectivity. (shrink)

Object-Oriented Ontology (OOO) is a contemporary form of realism concerned with the investigation of “objects” broadly construed. It may be characterised in terms of a metaphysical pluralism to the extent that it recognises infinitely many different kinds of emergent entities, and this fact in turn leads to a number of questions concerning the nature of objects and emergence in OOO: what is the precise meaning of an emergent entity in OOO? How has emergence been denied throughout the history of Western (...) thought? Is there a specific object-oriented account of emergence? What is the causal mechanism which provides the conditions of possibility for the generation of emergent entities? In this article, I aim to answer all these questions by constructing the first extensive account of real emergence in the context of Object-Oriented Ontology, and I also seek to tie this analysis to the notion of “vicarious” or indirect causation. (shrink)

Graham Harman describes the allure of art as the tension and fusion of a real object to sensual qualities so that it makes it seem that the inwardness of reality is opened to us. Yet real objects are withdrawn; how are we aware of their fusion? Since Harman’s ontology mandates that contact between real objects occurs only through sensual objects, this essay explores the idea that art’s allure must be a tension between sensual objects that draw the experiencer to believe, (...) or alieve, they are in contact with the withdrawn real. By looking at the examples in representational painting and sleight of hand magic, we see that ontographic art objects use at least four, carefully separated sensual objects to produce their aesthetic effect. The conclusion summarises allure as a sensual object process, speculates on art’s dialetheic confusion of sensual and real objects giving an enduring allure to idealism, and notes potential motifs of an infra-realist resistance. (shrink)

Graham Harman’s Object-Oriented Ontology has employed a variant of occasionalist causation since 2002, with sensual objects acting as the mediators of causation between real objects. While the mechanism for living beings creating sensual objects is clear, how nonliving objects generate sensual objects is not. This essay sets out an interpretation of occasionalism where the mediating agency of nonliving contact is the virtual particles of nominally empty space. Since living, conscious, real objects need to hold sensual objects as sub-components, but nonliving (...) objects do not, this leads to an explanation of why consciousness, in Object-Oriented Ontology, might be described as doubly withdrawn: a sensual sub-component of a withdrawn real object. (shrink)

The aim of this paper is to reconceptualise ‘building type’ in order to better account for its general role in society and everyday life. The paper merges the concept of building type with actor-network theory and object-oriented philosophy in order to develop the concept of ‘territorial sorts’ as a way of widening building-type research and making it more useful for investigating how building types are actually produced, not just in terms of the work done by different kinds of authorities, such (...) as architects, engineers, and building regulators, but also in terms of the ongoing practices and power relations of everyday life. (shrink)

This article mounts a defense of Object-Oriented Ontology (OOO) from various criticisms made in Russell Sbriglia and Slavoj Žižek’s co-edited anthology Subject Lessons. Along with Sbriglia and Žižek’s own Introduction to the volume, the article responds to the chapters by Todd McGowan, Adrian Johnston, and Molly Anne Rothenberg, the three in which my own version of OOO is most frequently discussed.

In this paper, an account of two novel ontologies is given to point to the need to revise the status of facts in school curriculum. It is argued that schooling is in dire need of re-enchantment. The way to re-enchant schooling is to re-enliven the world we inhabit. We need to fall head over heels in love with the world again. In order to do that, we need to shake up our conception of “the hard and cold facts of the (...) world” to make the latter come alive radiating vibrancy and luminosity out into the world. Facts have to be liberated from their “cold and hard” status and become things that captivate us with their uniqueness and dynamism. To the extent that facts enchant (instead of merely re/present the world), working with them leads to educative experience. To work out how to let the facts do that, two thinkers and two ways to reconceptualize ‘facts’ are discussed: Graham Harman and his objects, and Ken Wilber and his holons. (shrink)

One of the main criticisms of object-oriented ontology in its current formulation by Graham Harman is that it includes a notion of time that, upon closer inspection, renders the overall theory inconsistent. I argue that while this is indeed the case, Harman’s notion of time can be modified in a way that leaves the framework of object-oriented ontology intact. More specifically, Harman’s theory of time as a single surface tension between sensual objects and their qualities should be expanded into a (...) theory of time as a twofold of related yet irreducible temporalities. Such a theory can already be found in Gilles Deleuze’s The Logic of Sense. I argue that much of the latter theory is already tacitly presupposed in Harman’s ontology, and show that the proposed modification successfully addresses the most salient criticisms that have been voiced at Harman’s notion of time. (shrink)

In this article, we draw upon ‘After-ANT’ scholarship to generate openings for a shift from purely deconstructive studies of object organization to a more straightforward generation of concrete and specific alternative trajectories towards the future by way of ontological experimentation. Through careful empirical investigation of a mine and a landfill, and how these are enacted in practice in different topological registers, we show how mines and landfills are intertwined; enacted sometimes as similar and in other cases as different types of (...) objects, thus shaping the paths of becoming for those bundles of relations that become enacted as either a ‘mine object’ or a ‘landfill object’. Mapping these practices generates openings for interventions suggesting how things could be made different in some specificity; in this case, for example, the appreciation of what constitutes ‘natural resources’. The overarching purpose of this article is to intervene in current debates regarding the potential merits of drawing upon Object-Oriented Philosophy as an inspiration in critical organizational studies. While we are highly sympathetic to calls for more experimental object studies, we are hesitant towards Object-Oriented Philosophy as a source of inspiration due to its specific metaphysical underpinnings. To clarify what we find to be at stake here, we conclude the article by situating After-ANT in a wider landscape of thought, discussing the contrast between broadly pragmatist research approaches, such as After-ANT, and Object-Oriented Philosophy. Finally, we try to spell out how we believe this contrast reverberates upon how we understand the purpose and potential of critical social science. (shrink)