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  1. The foundations of the universalist tradition in color-naming research (and their supposed refutation.Don Dedrick - 1998 - Philosophy of the Social Sciences 28 (2):179-204.
    In Basic Color Terms, Berlin and Kay argued for a restricted number of "basic" color words—words they claimed to be culturally universal. This claim about language was buttressed by psychologist Eleanor Rosch's famous work on color prototypes. Together, the works of Berlin and Kay and Rosch are the foundation for a contemporary research tradition investigating the biological foundations of color naming. In this article, the author describes some common objections to the works of Berlin and Kay and Rosch and argues (...)
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  • Rewriting color.B. A. C. Saunders & J. Van Brakel - 2001 - Philosophy of the Social Sciences 31 (4):538-556.
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  • Qualia Compression.Lieven Decock & Igor Douven - 2012 - Philosophy and Phenomenological Research 87 (1):129-150.
    Color qualia inversion scenarios have played a key role in various philosophical debates. Most notably perhaps, they have figured in skeptical arguments for the fundamental unknowability of other persons’ color experiences. For these arguments to succeed, it must be assumed that a person's having inverted color qualia may go forever unnoticed. This assumption is now generally deemed to be implausible. The present paper defines a variant of color qualia inversion—termed ‘‘color qualia compression’’—and argues that the possibility of undetectable color qualia (...)
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  • Colourful Whorfian ideas: Linguistic and cultural influences on the perception and cognition of colour, and on the investigation of them.Angus Gellatly - 1995 - Mind and Language 10 (3):199-225.
    The resent paper reviews three phases in the literature on cognition and colour, and also Luria's (1976) observations of the effects that literacy and/or schooling have on colour naming and colour categorization. It is argued that Luria's own interpretation of his findings is partiafly flawed by inconsistency, and by ethnocentric presuppositions concerning mediation and abstraction. A revised interpretation is proposed that draws on Gibson's (1950, 1966) contrast between direct and indirect perceptions. It is suggested that language usage and cultural practices (...)
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  • The ignis fatuus of semantic universalia: The case of colour.J. van Brakel - 1994 - British Journal for the Philosophy of Science 45 (2):770-783.
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