Thucydides uses the first extended episode in the History, the Corcyrean conflict , to present the world of political discourse, deliberation, and battle. This episode is programmatic for a number of reasons: it is the first episode with a pair of speeches; Thucydides ties this episode directly to the outbreak of the war; certain questions, such as morality's relevance to foreign policy, are introduced here for the first time; and, most importantly, it is here that Thucydides establishes what the reader's (...) role is to be throughout the work. This paper argues that, for all the significance of Thucydides' Archaeology and Statement of Method , the "participatory" dimension of the History begins with the Corcyrean conflict. It is only with the introduction of speeches that the reader must address the ways in which speech and narrative confirm and undermine each other, as the historian's voice now alternates and competes with that of his characters in speech. From an authorial perspective we find that various techniques Thucydides employs-multiple perspective, authorial reticence, and episodic presentation-are used to recreate the political arena of fifth-century Greece. The various facets of the reader's extensive labor may be clustered under the heading of extrapolation and conjecture , as the reader must endeavor to see events from the perspective of the participants, evaluate claims made in speeches, experience battle vicariously, and consider events-which are past from the reader's perspective-as future in terms of the subsequent narrative. Analogous to what Plato did for philosophy, Thucydides has produced an interactive, open-ended, and participatory type of literature by appealing to the reader's involvement and by bringing written literature as close as possible to the live, extemporaneous, face-to-face debate of oral Greek culture. (shrink)

This bold and brilliant book asks the ultimate question of the life sciences: How did the human mind acquire its incomparable power? In seeking the answer, Merlin Donald traces the evolution of human culture and cognition from primitive apes to the era of artificial intelligence, and presents an original theory of how the human mind evolved from its presymbolic form. In the emergence of modern human culture, Donald proposes, there were three radical transitions. During the first, our bipedal but still (...) apelike ancestors acquired "mimetic" skill—the ability to represent knowledge through voluntary motor acts—which made Homo erectus successful for over a million years. The second transition—to "mythic" culture —coincided with the development of spoken language. Speech allowed the large-brained Homo sapiens to evolve a complex preliterate culture that survives in many parts of the world today. In the third transition, when humans constructed elaborate symbolic systems ranging from cuneiforms, hieroglyphics, and ideograms to alphabetic languages and mathematics, human biological memory became an inadequate vehicle for storing and processing our collective knowledge. The modern mind is thus a hybrid structure built from vestiges of earlier biological stages as well as new external symbolic memory devices that have radically altered its organization. According to Donald, we are symbol-using creatures, more complex than any that went before us, and we may have not yet witnessed the final modular arrangement of the human mind. (shrink)

A passage in Plato’s Laws (719c) offers a fresh look at Plato’s theory of poetry and art. Only here does Plato call poetry both mimêsis “imitation, representation,” and the product of enthousiasmos “inspiration, possession.” The Republic and Sophist examine poetic imitation; the Ion and Phaedrus (with passages in Apology and Meno) develop a theory of artistic inspiration; but Plato does not confront the two descriptions together outside this paragraph. After all, mimêsis fuels an attack on poetry, while enthousiasmos is sometimes (...) used to attack it, sometimes to praise it. The explanation evidently lies in Plato’s understanding of drama, which in the Laws has grown more precise, from simply the presentation of characters to the presentation of multiple characters engaged in dramatic conflict. (shrink)

In Historied Thought, Constructed World, Joseph Margolis identifies the philosophical themes that will dominate philosophical discussions in the twenty-first century, given the recognition of the historicity of philosophical thought in the twentieth century. In what follows I examine these themes, especially cognitive intransparency, and the arguments presented in favor of them, noting the extent to which they rest on a view of language that takes a written text, and not speech, as the paradigm of language. I suggest if one takes (...) speech as a mutual embodied action in a shared space as a model for language, the theme of cognitive intransparency—and the problems it brings in its wake—does not loom so large for those of us working in the history of philosophy. I conclude by showing that if we adopt this suggestion in relation to early Greek philosophy, that is, the period in the history of historied thought in which philosophy itself emerges as a linguistic and intellectual activity, we can better understand how and why philosophy emerged as it did—in the form of dialogues by Plato. (shrink)

This chapter argues that the human, all too human vulnerability to mimesis (imitation) is a central and so far underdiagnosed element internal to the Covid-19 pandemic crisis. Supplementing medical accounts of viral contagion, the chapter develops a genealogy of the concept of mimesis – from antiquity to modernity to the present – that is attentive to both its pathological and therapeutic properties. If an awareness of the pathological side of mimetic contagion is constitutive of the origins of philosophy, in Plato’s (...) Republic, and crowd psychology called attention to the mirroring dynamic of affective contagion among crowds and publics in the modern period, the Covid-19 pandemic crisis highlights the pathological implications of hypermimetic conspiracies reloaded by new media, while also revealing the human ability to develop therapeutic patho-logies – that is, critical discourses (or logoi), on the contagious dynamic of mimetic pathos. Like a Janus-faced mirror, then, this genealogy of homo mimeticus calls attention to both the contemporary dangers of affective contagion and to the urgency of transformations or metamorphosis to counter future pandemic and environmental threats that loom large in the Anthropocene. (shrink)

What is the role of philosophy in education? This timeless question may best be answered by examining Plato's earliest dialogues in which he makes a case for philosophy as the centerpiece of education. I call this effort Plato's project for education and interpret the Apology, Crito, Charmides, Laches, Ion, Hippias Minor, Euthyphro, and Lysis as an integrated attempt to promote philosophy as education in ancient Athens. Plato accepted arete as the proper goal of education, but his interpretation of arete as (...) a distinctly moral quality required a new approach to education. Plato recognized that the quality in a doctor that makes her aim at what is good for her patient is distinct from the skill that enables her to choose the most effective treatment. Against traditional education, which emphasized social standing, professional skill, and the accumulation of information, Plato focused on the moral dimension of human beings and prescribed philosophy as a means for developing it. Memorization of information and tuition in practical skills may help us in our particular crafts, but it does little to improve us morally. This task must be undertaken separately through examination and reflection. Success will be judged not by one's peers, or even by one's government, but by the gods themselves who adhere to a universal idea of goodness. Plato's conception of arete as the health of the soul precipitates a new approach to education that focuses on philosophy and presents Socrates as its hero and martyr. Health of the soul, like health of the body, is something that requires constant labor and attention, and yet may never be perfected. In Plato's project, the ignorant Socrates and the dialogues themselves become indirect teachers by exhorting students to care for their souls and to appreciate the task. The promise that arete can be achieved through the pursuit of moral wisdom is given in the words and actions of Socrates. Like his ancient friends, the reader struggles to understand Socrates and from this struggle emerges philosophy: the love and pursuit of wisdom; the proper education for arete. (shrink)

No Íon, a autoridade e a sabedoria de poetas e rapsodos são confrontadas por meios indiretos. O caráter oblíquo dessa estratégia impede o acesso direto ao conteúdo do diálogo e provoca inúmeros equívocos de leitura. Um fato contextual estimula mais ainda leituras equivocadas. A poesia tratada no Íon difere muito da forma como nós, modernos, a entendemos. Na Antiguidade grega, de base aural, a poesia era o modo privilegiado de conservação da tradição herdada, e permaneceu exercendo essa função capital até (...) mesmo quando a escrita passou a desempenhar papel relevante na forma de composição e transmissão cultural. Neste contexto, o rapsodo representa uma autoridade que cobre praticamente todos os campos do saber. Autoridade enciclopédica, contra a qual Platão travou uma guerra não sem ambiguidades. O presente artigo busca revelar a motivação profunda que anima o Íon: a contraposição entre dois modos de comunicação, o da poesia e o da filosofia. Defende, ainda, que Platão, ao atacar a performance poética, busca, além de rejeitá-la, substituí-la pelo élenkhos socrático como modo de comunicação ideal para instrução e guia da vida humana. (shrink)

This paper explores some of the constructive dimensions and specifics of human theoretic cognition, combining perspectives from (Husserlian) genetic phenomenology and distributed cognition approaches. I further consult recent psychological research concerning spatial and numerical cognition. The focus is on the nexus between the theoretic development of abstract, idealized geometrical and mathematical notions of space and the development and effective use of environmental cognitive support systems. In my discussion, I show that the evolution of the theoretic cognition of space apparently follows (...) two opposing, but in truth, intrinsically aligned trajectories. On the epistemic plane, which is the main focus of Husserl’s genetic phenomenological investigations, theoretic conceptions of space are progressively constituted by way of an idealizing emancipation of spatial cognition from the concrete, embodied intentionality underlying the human organism’s perception of space. As a result of this emancipation, it ultimately becomes possible for the human mind to theoretically conceive of and posit space as an ideal entity that is universally geometrical and mathematical. At the same time, by synthesizing a range of literature on spatial and mathematical cognition, I illustrate that for the theoretic mind to undertake precisely this emancipating process successfully, and further, for an ideal and objective notion of geometrical and mathematical space to first of all become fully scientifically operative, the cognitive support provided by a range of specific symbolic technologies is central. These include lettered diagrams, notation systems, and more generally, the technique of formalization and require for their functioning various cognitively efficacious types of embodiment. Ultimately, this paper endeavors to understand the specific symbolic-technological dimensions that have been instrumental to major shifts in the development of idealized, scientific conceptions of space. The epistemic characteristics of these shifts have been previously discussed in genetic phenomenology, but without devoting sufficient attention to the constructive role of symbolic technologies. At the same time, this paper identifies some of the irreducible phenomenological and epistemic dimensions that characterize the functioning of the historically situated, embodied and distributed theoretic mind. (shrink)

_Discusses philosophers Mencius and Aristotle as socio-ecological thinkers._ Mencius (385–303/302 BCE) and Aristotle (384–322 BCE) were contemporaries, but are often understood to represent opposite ends of the philosophical spectrum. Mencius is associated with the ecological, emergent, flowing, and connected; Artistotle with the rational, static, abstract, and binary. Douglas Robinson argues that in their conceptions of rhetoric, at least, Mencius and Aristotle are much more similar than different: both are powerfully socio-ecological, espousing and exploring collectivist thinking about the circulation of energy (...) and social value through groups. The agent performing the actions of _pistis_, “persuading-and-being-persuaded,” in Aristotle and _zhi_, “governing-and-being-governed,” in Mencius is, Robinson demonstrates, not so much the rhetor as an individual as it is the whole group. Robinson tracks this collectivistic thinking through a series of comparative considerations using a theory that draws impetus from Arne Naess’s “ecosophical” deep ecology and from work on rhetoric powered by affective ecologies, but with details of the theory drawn equally from Mencius and Aristotle. (shrink)

Las experiencias de justicia transicional en la antigüedad griega muestran hasta qué punto las emociones pueden jugar un papel específico en el restablecimiento social de la memoria, la justicia y la verdad. A partir de un estudio de fuentes clásicas provenientes de Atenas, Dicea y Nacone, el propósito del presente trabajo es identificar la ficción afectiva sobre la que reposan estos marcos institucionales: al proyectar el plano emocional desde los individuos hasta la colectividad, se produce una instalación política del páthos (...) que, mediante la planificación, procura superar los efectos traumáticos de la guerra civil y diseñar una comunidad emocional basada en las virtudes de la reconciliación. (shrink)

Practical Knowledge Versus Knowledge as Practice The main thesis of this essay is that practice is superior to a "theoretical vs. practical" distinction. In this sense, every sort of knowledge is essentially "practical"; so-called "theoretical" knowledge is an historically overemphasised borderline example of the practical. Based mostly on Wittgenstein's view, I shall gradually refine an opposition between theoretical and practical knowledge by analysing some related dualisms on an active, processual, communicative and applicative concept of knowledge. Then I will provide some (...) arguments as to why knowledge as a practical matter in this sense should be seen as, both logically and temporally, prior to the distinction. (shrink)

Autopoietic societies have produced three major images of civilization: the Greco-Roman, the Eurocentric Western, and the Settler Society type. The most important incarnation of the latter to date has been America. This article explores the deep-going differences between American and European ideas of civilization. It examines how the American kind of autopoietic civilization expresses itself in preternaturally distinctive conceptualizations of nature and freedom, life and death, order and chaos, city and ecumene. The article discusses the political and social implications of (...) this. (shrink)

What matter who's speaking, someone said what matter who's speaking. Beckett, Texts for Nothing (in Stories and Texts for Nothing) 111 “What does it matter who is speaking”, someone said, “what d...

La concepción platónica de las experiencias visual y auditiva en un doble nivel repercute en su propuesta educativa y política, expresada, entre otros diálogos, en República. Un estudio filológico de estos campos semánticos en el Libro VIII e inicio del Libro IX de República permite postular que, para el ateniense, los cambios en las formas de la polis están ligados a cambios en los modos de ver y oír humanos. Así, el desplazamiento puede producirse desde una mirada y audición profundas (...) a una mirada y audición superficiales, desde un oír- ver unitarios a múltiples, o del ver y oír al no-ver ni oír. En todos los casos,este desplazamiento tiene como correlato un desplazamiento en las formas de organización de la polis. (shrink)

_Excavates the experiential structure of Habermas’s communicative action._.

Resumen Mi intención es sugerir y abrir un diálogo entre Platón y Adorno, para lo cual he elegido el concepto de mímesis, un concepto que juega un papel central en ambos pensadores tanto gnoseológicamente como estéticamente. Mientras que el término le sirve a Platón para expulsar a los poetas de Kallipolis, más exactamente ciertos tipos de poesía como la tragedia y la comedia, Adorno lo usa para mostrar el lazo entre el arte y la belleza natural, la dimensión somática del (...) conocimiento, y la importancia subversiva de los poetas y los artistas. Para Platón los poetas están tres veces alejados de la verdad y para Adorno, por el contrario, la obra de arte es un vehículo de la verdad. Este diálogo quiere mostrar no sólo la presencia de lo antiguo en lo moderno, sino la valiosa actualidad y la fructífera transformación que puede padecer un concepto antiguo.My purpose is to suggest and open a dialogue between Plato and Adorno, and for this I have chosen the concept of mimesis, a concept that plays a central role in both thinkers both epistemologically and aesthetically. While Plato uses the term in order to expel the poets from Kallipolis, to be more precise certain kinds of poetry such as tragedy and comedy, Adorno uses the term to show the relationship between art and natural beauty, the somatic dimension of knowledge, and the importance subversive poets and artists. For Plato, poets are three times removed from the truth and for Adorno, by contrast, the work of art is a vehicle of truth. This dialogue between an ancient and a modern intends to show not only the presence of the old in the new, but the valuable present and the fruitful transformation that an old concept can have. (shrink)

Lipman’s curriculum of “Philosophy for Children” was the outcome of a harmonious and fruitful partnership between philosophy and pedagogy, but over the time practice shows the risk of a double fall and reduction: on the one side into the ditch of pedagese and, on the other, into the ditch of philosofese. Using the expression “Philosophical Practice of Community” instead of “Philosophy for children” appears preferable to protect the latter from the risk of being considered, because of its evocative vagueness, both (...) a sort of toy-philosophy, and a kind of pedagogical device suitable for all purposes. Set out in terms of PPC, the project of doing philosophy with children becomes part of a broader field of research concerning each of the three components and their relationships. If ideas are not clear about what “philosophical” means, the risk is that philosophy can be assimilated to other approaches and used as general as empty label. Among the many questions that a PPC puts on the table, I’ll try to frame three of them: 1) Is it necessary to know the philosophical tradition to practice philosophy with children? 2) Who are the philosophers? 3) How to revitalize the Socratic orality? (shrink)

This paper investigates the origins of the Oral Theory as formulated by Milman Parry in Paris during the late 1920s by reexamining the scholarship on which it rests. Parry's Oral Theory compared the texts of oral performances in Yugoslavia with the Homeric texts in order to shed light on the presumed oral origins of the latter. His work integrated the work of the linguist and Indo-Europeanist Antoine Meillet, the linguist and scholar of oral poetics Matthias Murko, and the anthropologists Lucien (...) Lévy-Bruhl and Marcel Jousse. (shrink)

This paper investigates the origins of the Oral Theory as formulated by Milman Parry in Paris during the late 1920s by reexamining the scholarship on which it rests. Parry's Oral Theory compared the texts of oral performances in Yugoslavia with the Homeric texts in order to shed light on the presumed oral origins of the latter. His work integrated the work of the linguist and Indo-Europeanist Antoine Meillet, the linguist and scholar of oral poetics Matthias Murko, and the anthropologists Lucien (...) Lévy-Bruhl and Marcel Jousse. (shrink)

This essay advances an interpretation of early Christian codex books, which goes beyond Catherine Pickstock’s critique of Jacques Derrida. Firstly, it summarizes Derrida’s deconstruction of Plato’s Phaedrus and introduces his understanding of writing as différance. Secondly, it outlines Pickstock’s After Writing in order to understand her emphasis upon the liturgical nature of platonic dialogue. It is here that an ambiguity emerges between writing and codex books in Pickstock’s account. In response, the insights of book historians such as Roger Chartier will (...) be brought to bear in order to understand the longer history of the codex, which sees the printing press as a continuation of the early transition from roll to codex in the second century of the Common Era. It has long been noted that Christians of this period were early and pervasive adopters of codex binding for their sacred literature. By summarizing the reasons why, it will be shown how the codex expressed early Christian religious concerns. (shrink)

Aun más que cualquier contenido de la comunicación, sus estructuras influyen en la teología puesto que proporcionan el marco para el pensamiento y la reflexión de la experiencia religiosa. Este ensayo examina tres estructuras características de la comunicacion, que son a menudo pasadas por alto: la comunicación oral v/s la escrita e impresa y la tendencia contemporánea hacia los estilos "orales secundarios"; el sentido del lugar en la comunicación tecnológica; y los usos de espacio visual como guías de la interpretación (...) de la experiencia. Puesto que cada una de estas estructuras moldean la teología, esta debiera asumir el desafío de tomar mayor conciencia de ellas y asumir el rol de la comunicación más seriamente. (shrink)

The author argues that Michael Polanyi’s philosophy of science can be understood as an (unconscious) attempt to recapture elements of experience largely forgotten or repressed in modernity. Specifically, the author argues that Polanyi’s epistemology appears to draw on elements of oral—aural experience that have been relatively ignored by the heavily visual sensory orientation typical of modern Western societies. The author does this by first deriving the primary features of the modern objectivist conception of knowledge from Polanyi’s critique of objectivism and (...) then using the anthropological literature on the differences between oral and literate cultures to demonstrate that these same aspects of the objectivist paradigm correspond closely to typical features of literate, visual consciousness while Polanyi’s alternative formulations correspond to a more oral—aural orientation. (shrink)

My purpose is to suggest and open a dialogue between Plato and Adorno, and for this I have chosen the concept of mimesis, a concept that plays a central role in both thinkers both epistemologically and aesthetically. While Plato uses the term in order to expel the poets from Kallipolis, to be more precise certain kinds of poetry such as tragedy and comedy, Adorno uses the term to show the relationship between art and natural beauty, the somatic dimension of knowledge, (...) and the importance subversive poets and artists. For Plato, poets are three times removed from the truth and for Adorno, by contrast, the work of art is a vehicle of truth. This dialogue between an ancient and a modern intends to show not only the presence of the old in the new, but the valuable present and the fruitful transformation that an old concept can have. (shrink)