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The Good, The Bad and The Funny

The Monist 88 (1):121-134 (2005)

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  1. Stand‐Up Comedy, Authenticity, and Assertion.Jesse Rappaport & Jake Quilty-Dunn - 2020 - Journal of Aesthetics and Art Criticism 78 (4):477-490.
    Stand‐up comedy is often viewed in two contrary ways. In one view, comedians are hailed as providing genuine social insight and telling truths. In the other, comedians are seen as merely trying to entertain and not to be taken seriously. This tension raises a foundational question for the aesthetics of stand‐up: Do stand‐up comedians perform genuine assertions in their performances? This article considers this question in the light of several theories of assertion. We conclude that comedians on stage do not (...)
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  • Can We Be Funny? The Social Responsibility of Political Humor.Jason T. Peifer - 2012 - Journal of Mass Media Ethics 27 (4):263-276.
    Probing the vague boundaries and constraints commonly placed on humor, this exploratory essay considers the responsibilities and duties that can guide political humor. Working within a deontological paradigm, the essay establishes the relevance of ethics within society's political humor and considers the importance of ethical political humor. Moreover, this study points to Christians and Nordenstreng's model of global social responsibility theory as providing a parsimonious and flexible framework for orienting ethical political humor.
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  • Moral Transgressors vs. Moral Entrepreneurs: The Curious Case of Comedy Accountability in an Era of Social Platform Dependence.Sara Ödmark - 2021 - Journal of Media Ethics 36 (4):220-234.
    Comedy can hold political actors accountable, for instance through satire. But what kind of moral negotiation concerns comedians? Utilizing an understanding of accountability as a dynamic of intera...
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  • Is this “fascist” laughter? Notes on the ethics of humor.Riccardo Carli - 2023 - Southern Journal of Philosophy 61 (3):427-438.
    The traditional concern of the academic literature on the ethics of humor is to determine whether ethical considerations influence comic amusement or, in other words, judge the impact of ethics over aesthetics. For some, ethically questionable dimensions bear no implication for the effectiveness of jokes; for others, they do, but this group disagrees on whether ethical problems make jokes less or more funny. This article attempts an alternative approach and explores the occurrences in which the aesthetic reaction to humor reveals (...)
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