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  1. What is a visual object? Evidence from target merging in multiple object tracking.Brian J. Scholla - 2001 - Cognition 80 (1-2):159-177.
    The notion that visual attention can operate over visual objects in addition to spatial locations has recently received much empirical support, but there has been relatively little empirical consideration of what can count as an `object' in the ®rst place. We have investi- gated this question in the context of the multiple object tracking paradigm, in which subjects must track a number of independently and unpredictably moving identical items in a ®eld of identical distractors. What types of feature clusters can (...)
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  • Visual Attention.Ronald A. Rensink - 2002 - In L. Nagel (ed.), Encyclopedia of Cognitive Science. Macmillan.
    Selective access and integration underlie much of our visual experience. This article describes several of the experimental techniques used to investigate these processes, and some of the major results achieved in our understanding of their operation.
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  • (1 other version)Some puzzling findings in multiple object tracking: I. Tracking without keeping track of object identities.Zenon Pylyshyn - manuscript
    The task of tracking a small number (about four or five) visual targets within a larger set of identical items, each of which moves randomly and independently, has been used extensively to study object-based attention. Analysis of this multiple object tracking (MOT) task shows that it logically entails solving the correspondence problem for each target over time, and thus that the individuality of each of the targets must be tracked. This suggests that when successfully tracking objects, observers must also keep (...)
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  • Visual indexes, preconceptual objects, and situated vision.Zenon W. Pylyshyn - 2001 - Cognition 80 (1-2):127-158.
    This paper argues that a theory of situated vision, suited for the dual purposes of object recognition and the control of action, will have to provide something more than a system that constructs a conceptual representation from visual stimuli: it will also need to provide a special kind of direct (preconceptual, unmediated) connection between elements of a visual representation and certain elements in the world. Like natural language demonstratives (such as `this' or `that') this direct connection allows entities to be (...)
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  • How well do you see what you hear? The acuity of visual-to-auditory sensory substitution.Alastair Haigh, David J. Brown, Peter Meijer & Michael J. Proulx - 2013 - Frontiers in Psychology 4.
    Sensory substitution devices (SSDs) aim to compensate for the loss of a sensory modality, typically vision, by converting information from the lost modality into stimuli in a remaining modality. “The vOICe” is a visual-to-auditory SSD which encodes images taken by a camera worn by the user into “soundscapes” such that experienced users can extract information about their surroundings. Here we investigated how much detail was resolvable during the early induction stages by testing the acuity of blindfolded sighted, naïve vOICe users. (...)
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  • Perception, Representation and the World: The FINST that binds.Zenon Pylyshyn - unknown
    I recently discovered that work I was doing in the laboratory and in theoretical writings was implicitly taking a position on a set of questions that philosophers had been worrying about for much of the past 30 or more years. My clandestine involvement in philosophical issues began when a computer science colleague and I were trying to build a model of geometrical reasoning that would draw a diagram and notice things in the diagram as it drew it (Pylyshyn, Elcock, Marmor, (...)
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  • What we see: Inattention and the capture of attention by meaning.Arien Mack, Zissis Pappas, Michael E. Silverman & Robin Gay - 2002 - Consciousness and Cognition 11 (4):488-506.
    Attention is necessary for the conscious perception of any object. Objects not attended to are not seen. What is it that captures attention when we are engaged in some attention-absorbing task? Earlier research has shown that there are only a very few stimuli which have this power and therefore are reliably detected under these conditions . The two most reliable are the observer’s own name and a happy face icon which seem to capture attention by virtue of their meaning. Three (...)
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  • Objects and attention: the state of the art.Brian J. Scholl - 2001 - Cognition 80 (1-2):1-46.
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  • (1 other version)Visual attention.Marvin Chun & Jeremy Wolfe - 2001 - In E. Bruce Goldstein (ed.), Blackwell Handbook of Perception. Blackwell. pp. 2--335.
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  • Visual indexes and nonconceptual reference.Zenon W. Pylyshyn - manuscript
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  • Situating vision in the world.Zenon W. Pylyshyn - 2000 - Trends in Cognitive Sciences 4 (5):197-207.
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  • Probing unconscious visual processing with the Mccollough effect.G. Keith Humphrey & Melvyn A. Goodale - 1998 - Consciousness and Cognition 7 (3):494-519.
    The McCollough effect, an orientation-contingent color aftereffect, has been known for over 30 years and, like other aftereffects, has been taken as a means of probing the brain's operations psychophysically. In this paper, we review psychophysical, neuropsychological, and neuroimaging studies of the McCollough effect. Much of the evidence suggests that the McCollough effect depends on neural mechanisms that are located early in the cortical visual pathways, probably in V1. We also review evidence showing that the aftereffect can be induced without (...)
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