Rae Langton and Caroline West argue that pornography silences women by presupposing misogynistic attitudes, such as that women enjoy being raped. More precisely, they claim that a somewhat infamous pictorial, ‘Dirty Pool’, makes such presuppositions, and that it is typical in this respect. I argue for four claims. (1) There are empirical reasons to doubt that women are silenced in the way that Langton and West claim they are. (2) There is no evidence that very much pornography makes the sorts (...) of presuppositions that Langton and West's explanation of silencing requires it to make. (3) Even ‘Dirty Pool’, for all its other problems, does not make such presuppositions. (4) Langton and West misread ‘Dirty Pool’ because they do not take proper account of the fact that pornography often traffics in sexual fantasy. The broader lesson is that we need to read pornography more sensitively if we are to understand its capacity to shape socio‐sexual norms (for good or for ill). (shrink)

So-called ‘facial’ cumshots, when a man ejaculates onto a woman’s face, are very common in pornography. While they are frequently said to be degrading and misogynistic, the fact that women are usually shown as enjoying this act should make us think again. Facials are instead rooted in male insecurity: of a fear that an aspect of how men orgasm—semen—is disgusting to women. By contrast, the fantasy, which pornography makes vivid, is that women might not just tolerate but celebrate and eroticize (...) both ejaculation and its product. The way mainstream pornography presents facials may often be misogynistic, but it does not have to be, and it is not always. -/- NOTE: This may not be a philosophy paper. My intention is to submit it to a sexuality studies journal. (shrink)

It has been argued that an adequate feminist response to sexist pornography demands not just efforts to eradicate sexist beliefs, but also aesthetic counter-intervention at the level of taste. This view motivates support for feminist pornography. This paper takes the feminist pornography suggestion seriously by unpacking difficulties for the project. I begin by spelling out two views about what makes feminist pornography feminist: the ‘content view,’ and the ‘context view,’ and discuss what I take to be existing arguments for the (...) latter. I then present two objections to the context view: the first focuses on how we characteristically interact with pornography (as a masturbatory aid), the second challenges the value of authenticity upon which much feminist pornography rests. If these arguments are correct, then there are serious flaws with feminist pornography as it is commonly conceived. I close with a brief suggestion of an alternative approach rooted in feminist solidarity. (shrink)

This paper offers a new interpretation and defence of a familiar feminist criticism of pornography, namely that some pornography objectifies not just the women who feature in it, but women more generally. I give this claim a distinctive twist, arguing that pornography epistemically objectifies women. Drawing parallels to work on testimonial injustice by Miranda Fricker and others, I argue that women are often objectified in pornography by being represented as epistemically fungible: as interchangeable with others belonging to the same group (...) when it comes to what one can learn from them on some topic. Focusing on pornographic films, my proposal is that some films depict the women seen performing in them as fungible with a much wider group in respect of what one can learn about their sexual preferences; this wider group of women is thereby falsely represented as relatively homogenous, rather than as individuals. (shrink)