How do nuclear technologies become commonplace? How have the borders between the exceptional and the banal been drawn and redrawn over the last 70 years in order to make nuclear energy part of everyday life? This special issue analyzes the role of fun and display, broadly construed, in shaping the cultural representation and the material circulation (or non-circulation) of nuclear technologies. Four case studies, covering the United States, Great Britain, Portugal, Spain, and Ukraine from the 1950s to the 2000s, explore (...) how specific forms of public display and playful practices of cultural production were used as means to banalize (or de-banalize) nuclear energy. This introduction addresses the main theoretical and historiographical signposts of the special issue and outlines the different ways in which the articles explore them. (shrink)

Drawing upon the concepts of civic epistemologies and sociotechnical imaginaries, this article delves into the history of nuclear energy in Portugal, analyzing the ways in which the nuclear endeavor was differently enacted by various sociopolitical collectives – the Fascist State, post-revolutionary governments and the public. Following the 1974 revolution - known as the Carnation Revolution - this paper analyzes how the nuclear project was fiercely contested by a vibrant anti-nuclear movement assembled against the construction of the Ferrel Nuclear Plant, the (...) first sociotechnical controversy in Portugal, paving the way for the emergence of a combative civic epistemology. Supported by semi-structured interviews with scientists, activists and local residents of Ferrel and the analysis of historical material, this article presents the failed Portuguese nuclear endeavor as an emblematic case study to explore the co-production of science and society, in particular the role of revolutionary processes in the unfolding of sociotechnical controversies. (shrink)

Journalistic representations of a suicide pact in 1957 encapsulated wider popular assumptions on, and anxieties over, nuclear technology. Through an exploration of British nuclear culture in the late 1950s, this article suggests that knowledge of nuclear danger disrupted broader conceptions of self, nationhood and existence in British life. Building on Hecht's use of the term ‘nuclearity’, the article offers an alternative definition of the term whereby nuclearity is understood to mean the collection of assumptions held by individual citizens on the (...) dangers of nuclear technology: assumptions that were rooted firmly in context and which circulated in, and were shaped by, national discourse. The article will argue that nuclearity was an active component in the formation of British identity by the late 1950s. The article is intended as a starting point for extended reflections on the ways in which nuclearity can add to our understanding of individual experience, nuclear anxiety and Cold War culture in post-war Britain. (shrink)

Brent Ryan Bellamy and Jeff Diamanti make the case for the critique of energy by arguing that “the core contradiction of today’s economic system is and always has been tied to its facility with energy.” A critical standpoint on our ongoing economic and ecological crises demands a new historical account of energy.

Stacey Balkan reviews Shelley Streeby’s Imagining the Future of Climate Change: World-Making Through Science Fiction and Activism.

Turning to the ways immaterial forms of “accumulation and material forms of labor intersect” under postcolonial capitalism, Katherine Lawless maps the relation between cultural media and the flow of energy and asks: “What happens if we map the emergence of global memory cultures alongside the transition to nuclear energy?”.