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  1. Adorno, Heidegger and the Meaning of Music.Andrew Bowie - 1999 - Thesis Eleven 56 (1):1-23.
    T. W. Adorno's philosophy of music aims to show that music is a source of important insights into the nature of modern society. This position leads, though, to a series of methodological difficulties, some of which can be alleviated by using resources from Heidegger's hermeneutics. The essay takes the key notion of `judgementless synthesis' from Adorno's unfinished book on Beethoven and connects it to Heidegger's account of pre-propositional under-standing and to Kant's notion of schematism. This connection is shown to have (...)
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  • Oldest Systematic Program of German Idealism: Translation and Notes.Daniel Fidel Ferrer, Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling & Friedrich Hölderlin - 2021 - 27283 Verden, Germany: Kuhn von Verden Verlag.
    This book’s goal is to give an intellectual context for the following manuscript. -/- Includes bibliographical references and an index. Pages 1-123. 1). Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 18th century. 5). Philosophy, German and Greek Influences Metaphysics. I. Hegel, Georg Wilhelm Friedrich -- 1770-1831 -- Das älteste Systemprogramm des deutschen Idealismus. II. Rosenzweig, Franz, -- 1886-1929. III. Schelling, Friedrich Wilhelm Joseph von, -- 1775-1854. IV. Hölderlin, Friedrich, -- 1770-1843. V. Ferrer, Daniel Fidel, 1952-. [Translation from (...)
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  • encountering Individuality: Schlegel's Romantic Imperative as a Response to Nihilism.Keren Gorodeisky - 2011 - Inquiry: An Interdisciplinary Journal of Philosophy 54 (6):567-590.
    According to Friedrich Schlegel: “The Romantic imperative demands [that] all nature and science should become art [and] art should become nature and science”; “[P]oetry and philosophy should be made unified”, and “life and society [should be made] poetic”. The aim of this paper is to explain why Schlegel believes that this is an imperative that constrains philosophy and ordinary life. I argue that the answer to this question requires that we regard the Romantic imperative as a response to the skeptical (...)
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  • Interpreting Novalis’ Fichte-Studien.Dalia Nassar - 2010 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 84 (3):315-341.
    The philosophical reception of German Romanticism, lead by Manfred Frank, has focused on Novalis’ early notes while studying Fichte, titled by the editors of the critical edition, the Fichte-Studien. Frank’s claim that these notes contain the most important philosophical contribution of Romanticism has played an especially influential role in the Anglo-American interpretations of Novalis and of philosophical Romanticism in general. In this paper I contest the coherency of these notes, and argue that a proper interpretation of Novalis must take into (...)
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  • Darwin, Concepción, and the Geological Sublime.Paul White - 2012 - Science in Context 25 (1):49-71.
    ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin'sBeaglediary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the (...)
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  • The romantic connection: Neurath, the Frankfurt school, and Heidegger.Andrew Bowie - 2000 - British Journal for the History of Philosophy 8 (2):275-298.
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  • Modernity.Couze Venn & Mike Featherstone - 2006 - Theory, Culture and Society 23 (2-3):457-465.
    Whilst presenting a number of features that have been put forward to characterize modernity as a way of life and a social system, this entry suggests a dissident genealogy that reveals a hidden history of continuities and alternatives. It thereby problematizes the norms about periodization and the assumptions about the elaboration of a logos that underlie the concept of the modern. This approach to modernity as a complex of processes, institutions, subjectivities, and technologies challenges the more familiar history of linear (...)
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  • Anglo-German mythologics: the Australian Aborigines and modern theories of myth in the work of Baldwin Spencer and Carl Strehlow.Angus Nicholls - 2007 - History of the Human Sciences 20 (1):83-114.
    This article examines the respective interpretations of the Arrernte tribe of central Australian Aborigines adopted by the English biologist Baldwin Spencer and the German missionary Carl Strehlow. These interpretations are explored in relation to the broader theoretical debates in the theory of myth that took place in England and Germany in the latter half of the 19th century. In Britain, these debates were initially shaped by the comparative philology of F. Max Müller, before being transformed by the evolutionism of Edward (...)
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