There is a strange contrast between, on the one hand, the prominent place generally assigned to Parmenides in the history of Greek philosophy, and on the other hand, the persistent uncertainty in the understanding of his teachings, as demonstrated by the large number of conflicting interpretations. In particular, there is no consent on the question whether Parmenides, in spite of the obvious weaknesses of his arguments, ought to be seen as the first proponent of a purely rational metaphysics, or whether, (...) in view of his assertion of the unreality of change and plurality and of the identity of thinking and being, we should first of all view him as a precursor of Plotinus, or even as a mediator between Indian Advaita-philosophy and Neo- Platonism. That question is the central issue considered in this paper. For it, only the first part of Parmenides’ poem is relevant: his “way of truth”. (shrink)

Apollo travels from Pytho to Olympus, and the other gods greet his arrival (186–93):ἔνθεν δὲ πρὸϲ Ὄλυμπον ἀπὸ χθονὸϲ ὥϲ τε νόημαεἶϲι Διὸϲ πρὸϲ δῶμα θεῶν μεθ’ ὁμήγυριν ἄλλων⋅αὐτίκα δ’ ἀθανάτοιϲι μέλει κίθαριϲ καὶ ἀοιδή.Μοῦϲαι μέν θ’ ἅμα πᾶϲαι ἀμειβόμεναι ὀπὶ καλῇὑμνεῦϲίν ῥα θεῶν δῶρ’ ἄμβροτα ἠδ’ ἀνθρώπωντλημοϲύναϲ, ὅϲ’ ἔχοντεϲ ὑπ’ ἀθανάτοιϲι θεοῖϲιζώουϲ’ ἀφραδέεϲ καὶ ἀμήχανοι, οὐδὲ δύνανταιεὑρέμεναι θανάτοιό τ’ ἄκοϲ καὶ γήραοϲ ἄλκαρ.From there he goes quick as a thought from the earth to Olympus, to the house of Zeus, (...) in order to join the gathering of the other gods. Immediately the immortals concern themselves with lyre music and song. All the Muses together, responding with their beautiful voice, hymn the divine gifts of the gods and the endurance of men, all that they have from the immortal gods and yet live ignorant and helpless, unable to find a remedy for death and a defence against old age. (shrink)

In this paper I aim to discuss the notion of δήλωμα which can be found for the first time in the extant Greek literature in Plato, Cratylus 423 b, by analysing the philosophical argument of bodily imitation and language. I aim to show that this portion of text in particular contains extraordinary original material which has no parallel in other Platonic works. I shall also discuss the notion of δήλωμα in critical relation to μίμημα and σημεῖον, with reference to the (...) Cratylus, the Sophist and other philosophical works posterior to Plato. (shrink)