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3 The body as instrument and as expression

In Claudia Card (ed.), The Cambridge Companion to Simone de Beauvoir. New York: Cambridge University Press. pp. 66 (2003)

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  1. Sexed Embodiment In Atypical Pubertal Development.Kristin Zeiler & Lisa Guntram - 2014 - In Kristin Zeiler & Lisa Folkmarson Käll (eds.), Feminist Phenomenology and Medicine. State University of New York Press. pp. 141-159.
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  • Constructing subjectivity through labour pain: A Beauvoirian analysis.Sara Cohen Shabot - 2017 - European Journal of Women's Studies 24 (2):128-142.
    Traditional western conceptions of pain have commonly associated pain with the inability to communicate and with the absence of the self. Thus pain, it seems, must be avoided, since it is to blame for alienating the body from subjectivity and the self from others. Recent work on pain, however, has began to challenge these assumptions, mainly by discerning between different kinds of pain and by pointing out how some forms of pain might even constitute a crucial element in the production (...)
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  • Feminist Phenomenology and Medicine.Kristin Zeiler & Lisa Folkmarson Käll (eds.) - 2014 - State University of New York Press.
    _Phenomenological insights into health issues relating to bodily self-experience, normality and deviance, self-alienation, and objectification._.
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  • (1 other version)How America Justifies Its War: A Modern/Postmodern Aesthetics of Masculinity and Sovereignty.Bonnie Mann - 2006 - Hypatia 21 (4):147-163.
    The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.
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  • How free is Beauvoir’s freedom? Unchaining Beauvoir through the erotic body.Sara Cohen Shabot - 2016 - Feminist Theory 17 (3):269-284.
    One of the most important concepts in Simone de Beauvoir’s existentialist and phenomenological ethics is the concept of freedom. In this article, I would like to argue that Beauvoir’s concept of freedom is problematic in being strongly constrained by its essentially active character. This constraint contradicts some of Beauvoir’s major ideas, such as the one that considers the body as a situation, as a source of activity and of freedom in itself, as well as the idea of eroticism as one (...)
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  • (1 other version)How America Justifies Its War: A Modern/Postmodern Aesthetics of Masculinity and Sovereignty.Bonnie Mann - 2001 - Hypatia 21 (4):147-163.
    The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.
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  • The feminist phenomenology of excess: Ontological multiplicity, auto-jealousy, and suicide in Beauvoir’s L’Invitée.Jennifer McWeeny - 2011 - Continental Philosophy Review 45 (1):41-75.
    In this paper, I present a new reading of Simone de Beauvoir’s first major work, L’Invitée ( She Came to Stay ), in order to reveal the text as a vital place of origin for feminist phenomenological philosophy. My reading of L’Invitée departs from most scholarly interpretations of the text in three notable respects: (1) it is inclusive of the “two unpublished chapters” that were excised from the original manuscript at the publisher’s request, (2) it takes seriously Beauvoir’s claim that (...)
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