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  1. „Chemie der Begriffe“ und „historischer Sinn“. Überlegungen zur philosophischen Begriffsbildung.Christine Blättler - 2015 - Berichte Zur Wissenschaftsgeschichte 38 (2):153-169.
    Abstract“Chemistry of Concepts” and “Historical Sense”. On Philosophical Concept Formation. The question concerning concepts and their relations to objects and words has had a long and controversial history. Recently, it is challenged by an anew turn towards objects and an emphasized object‐oriented ontology. The article argues that one reason for this is the reduction of concepts towards pure rational constructions and offers arguments for alternative understandings. In this context, the article proposes a re‐reading of Nietzsche’s particular approach and shows that (...)
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  • Force and Objectivity: On Impact, Form, and Receptivity to Nature in Science and Art.Eli Lichtenstein - 2019 - Dissertation, University of Michigan
    I argue that scientific and poetic modes of objectivity are perspectival duals: 'views' from and onto basic natural forces, respectively. I ground this analysis in a general account of objectivity, not in terms of either 'universal' or 'inter-subjective' validity, but as receptivity to basic features of reality. Contra traditionalists, bare truth, factual knowledge, and universally valid representation are not inherently valuable. But modern critics who focus primarily on the self-expressive aspect of science are also wrong to claim that our knowledge (...)
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  • Nietzsche contra Sublimation.Eli I. Lichtenstein - 2020 - Journal of the History of Philosophy 58 (4):755-778.
    Many commentators have claimed that Nietzsche views the “sublimation” (Sublimierung) of drives as a positive achievement. Against this tradition, I argue that, on the dominant if not universal Nietzschean use of Sublimierung and its cognates, sublimation is just a broad psychological analogue of the traditional (al)chemical process: the “vaporization” of drives into a finer or lighter state, figuratively if not literally. This can yield ennobling elevation, or purity in a positive sense—the intensified “sublimate” of an unrefined original sample. But it (...)
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