This paper situates the critical attitude undergirding Ágnes Heller’s theory of modernity by elucidating her conceptualization of its ‘undialectical dialectics’ relative to the dialectical philosophies of Kant and Hegel. For Heller, the methodological commitments orienting a philosopher’s decision on how to conceptualize the dynamics of modernity are not merely theoretical but also ethico-practical, for they attempt to overcome the duality of life and spirit in the singular personality. For the denizens of contemporary modernity – who recognize contingency inhering in their (...) institutions – and for philosophers – who recognize the fallibility of their theoretical claims – a form of skepticism is warranted. By engaging with the work of György Márkus, Heller attempts to evince a notion of ‘normative skepticism’ that may exhibit both a critical attitude appropriate to conceiving modernity as ‘undialectical dialectics’ and to attenuate for the threat of ‘existential failure’ in the choice of oneself as a philosopher. (shrink)

This article deploys a double conceptual framework. One frame is positioned through the ideas of absolute strangers and outsiders. The other frame develops out of, though is distinct from, the first, and refers to the disaggregated forms of modern citizenship. The citizen-as-absolute-stranger in addition to accruing political rights may also accrue social, economic or identity rights, or traverse wider relations between him or herself and other absolute strangers in either national or international settings. It is in this context that outsiders (...) are configured - aliens who have no national-juridical status. (shrink)

This paper explores the constellation of fear and the social forces, assumptions and images that construct it. The paper’s underlying presupposition is that there are many locations for fear that run parallel to one another in modernity, one of which will be discussed here – the city. It begins by exploring two images and ideas of the city, around which the social theoretical tradition has revolved, both of which are linked in some way to the ideal of the metropolis and (...) the counter-ideal of the stranger. The stranger invariably accompanies the image of the city, as someone who comes to it from the outside. This co-existence between integration and the experience of being outside generates the inner tension or unease of city life, especially when we are all strangers. (shrink)

Agnes Heller was one of the first critical theorists to turn her attention to a contemporary theory of modernity. Yet her many writings on this topic remained fragments until the publication of her A Theory of Modernity (1999). This article focuses on the structural elements of this account. It traces the evolution of Heller's ideas in regard to logics, dynamic and social arrangement of modernity. It explains how these fit into her own development towards the standpoint she describes as postmodern (...) resignation and her notions of the `double bind' and `pendulum of modernity'. It argues that while Heller has modified her conception of the multiple logics of modernity to keep faith with a critical brief and an open-ended vision, some theoretical tensions remain. In particular, it explores the idea of modernity as a `steamroller' in conjunction with the question of its survival. It also questions whether Heller's emphatic normative vision of cultural modernity can easily be reconciled with the empirical trends of globalization that promise an increasing diversity of modernities. (shrink)