Today research on prosocial behaviour is very much shaped by the success of social neuroscience. However, some philosopher's criticise neuroscience as reductionist. The purpose of this paper is to analyse this critique. With a philosophical background in Charles Taylor's hermeneutic thesis "man as a self-interpreting animal", the paper shows that neuroscientists' attempt to describe prosocial behaviour in science through brain imaging technologies (MRI) constitute a neurochemical self that resonates a modern ‘paradigm of clarity and objectivity’ as presented by Taylor. It (...) is argued that this scientific explanation model challenges Taylor's hermeneutic self. Where human behaviour previous was mapped on a psychological level, prosocial behaviour is described in the body - the human brain - on a neurophysiological level. The author applies an autism analogy metaphor, which paradoxical shows that the neurochemical self’s emphasis on structures and observations epistemological facilitate an autistic understanding of prosocial behaviour alien to the situated and interpreted feelings of Taylor's self-understanding(s), and the logic of our everyday language. (shrink)

Clarifying the essential experiential structures at work in our everyday moral engagements promises both (1) to provide a perspicacious self-understanding, and (2) to significantly contribute to theoretical and practical matters of moral philosophy. Since the phenomenological enterprise is concerned with revealing the a priori structures of experience in general, it is then well positioned to discern the essential structures of moral experience specifically. Phenomenology can therefore significantly contribute to matters pertaining to moral philosophy. In this paper I would like to (...) contribute to the relatively small yet burgeoning field of phenomenological ethics. I endea­vour to do so by first identifying and consolidating the basic level of sense-bestowal, and then outlining the a priori structures of volition in order to demonstrate how such phenomenologically discerned structures are required for moral experience. Specifically, in section one I locate moral experience as at the level of meaning that is phenomenologically identified as the life-world, and then vindicate the life-world by illustrating how it is immune to naturalistic rationalisation. By thus both securing the level of meaning that is of concern and importantly delimiting the scope of our analysis, I proceed in section two to relate the volitional analyses of Aristotle, Husserl, and Heidegger. This relation is achieved thanks to a conceptual point of con­tinuity: ‘prohairesis’. By examining the function of this concept (as an intentional structure) and its phenomenological continuity, the ground is then prepared for further phenomenological analyses of the virtues. (shrink)

In this paper I put forward an argument concerning the place and significance of painting in Merleau-Ponty’s famous last essay Eye and Mind. I argue that for Merleau-Ponty modern philosophy comes about through an engagement with vision – in an attempt to think its peculiar virtue of “action at a distance” – but ends up betraying this dynamic, by offering us an account of vision that is grounded in the spontaneity of the mind. In this sense I claim that Eye (...) and Mind is genealogical in intent, and that Merleau-Ponty’s analysis of painting is central to accomplishing this task. (shrink)

The book is an attempt to explore the affinities between contemporary critical theories and modernist and postmodernist American poetry. The analysis focuses on poststructuralist theories, notorious for their tendency to destabilize generic boundaries between literary, philosophical and critical discourses. The main argument and the structure of the book derive from Jacques Derrida’s essay “Che cos’è la poesia” [What is poetry?] in which the philosopher postulates the impossibility of defining poetry by comparing a poem to a hedgehog – prickly, solitary, untamed, (...) fragile and protective, rolling itself up into a ball at the first sign of danger or when in the hands of the reader-intruder. The metaphor captures thus the fragility of the relationship between poetry and the world. The book examines this relationship as exemplified by the erinaceous poetics of high modernists and their postmodernist followers In the study I employ also other oststructuralist theories, such as the notion of the text and the pleasure of the text formulated by Roland Barthes, the heories of metaphor as seen by Paul Ricoeur or Paul de Man, and gender-sensitive theories of Helene Cixous and Luce Irigaray. (shrink)

One of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later (...) develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking. (shrink)

The aim of this research is to reconstruct a metaphysical interpretation of the philosophy of history with regard to the spirit of historical thinking. The spirit of historical thinking is to emphasize the relation between what happened in the past and historical thinking about the past in the present. However, current philosophies of history, which are largely epistemologically oriented, have not adequately explored this relation. In order to investigate the relation between past and present, I refer to an Aristotelian philosophy (...) of practice and politics, and adapt it to the domain of the philosophy of history, and argue the case for a metaphysical science of history. A metaphysical science of history contains two primary parts. They are the part on physis and the part on technê/phronēsis. With regard to physis that metaphysically investigates the natural generating progress of entities, I argue that the existence of historical events can be understood as a natural developing progress in which the events are ordered in a chronological sequence. Such chronological sequence is essentially the physis of history in the metaphysical sense. For the part on technê/phronēsis, I demonstrate that Aristotelian knowing is for itself an action of knowing, which is located beyond a given temporal position in the past to both the past and the thinking present, and indicates the fundamental Beingness of history. Finally I conclude that the historical eudaimonia, namely the pursuing of the completeness of historical knowledge, is the final presentation of actualizing Geschehenszeit, as it bridges the past and the present in accordance to the spirit of historical thinking. (shrink)

In the aftermath of a normalized Foucaultian world with an all encompassing web of biopower, one remaining hope is to cultivate nimbleness. Nimbleness is an embodied aesthetic sensitivity to the material presence. Cultivating nimbleness is a particular style of cultivation; it is to willfully gather together one’s self in the wake of a formative force far richer than the derivative web of living power relationships of human embeddness within a horizon of social, economical, political and historical subjectivating power relations; which (...) are chronicled and labeled by Michel Foucault as the normalizing practices of biopower. In other words to have freedom, one must start by rejecting the categories and labels normally internalized in order to relearn to learn from the material presence. Such a style of cultivation is a means of resisting normalizing power relations which co-opt cultivating practices to engross their own dominance which has had the by-product of an impotence to negate the gross material injustices present. This normalizing style of cultivation is a prevalent, corrupted, semblance which denies the importance of beauty for that of efficiency, rejects non-human purposiveness, and limits its measure of ethics to short term economical pragmatism. The thesis acknowledges that something is awry with the world and that giving care to beauty might help. The aim is to examine the event of Beauty as depicted by the philosopher Immanuel Kant and to apply this characterization to elective architectural spaces such that it may motivate individuals to cultivate their own nimbleness in relation to a formative force of nature. However given the revealed need for sensitivity to the particular material presence, the thesis can not be a rule book or catalog for beautiful design. Rather it is a rehabilitation for architects who are already heterospatially curious, with the desired outcome of architects cultivating their own nimbleness to reflectively judge as a ground up, multi-node, rhizomatic means of resistance to normalizing power practices as manifest in bad architecture. (shrink)

The aim of this dissertation is to critically investigate and problematize how museum exhibitions on Difficult Matters, like war and sexual violence, can be designed in order to contribute to teaching-learning relations between museum and visitor, which may transform existing perceptions of self, others, and the world and evoke a deepened sense of responsibility in the viewers, i.e. an ethical transformation.Based on a hermeneutic phenomenological approach the study takes three paths to shed light on the above. 1) Investigating literature on (...) museum studies on New Museology and Difficult Matters on the basis of which the research maps out current problems of understanding the pedagogical and ethical potentials. 2) From conducting case studies of two specific exhibitions to make an in-depth examination of designing exhibitions on Difficult Matters and how these are related to contextual conditions. 3) Investigating pedagogical theoretical literature inspired by the philosopher Emmanuel Levinas and literature in feminist philosophy on ethics of vulnerability all closely linked to the case studies, the study develops a conceptual basis for understanding the practice of designing exhibitions on Difficult Matters. A main finding is that designing exhibitions on Difficult Matters is related to the condition of vulnerability and this demands a pedagogical perspective sensitive to the ethical implications of exhibition making. This is because evoking ethical transformation is conditioned by a teaching-learning relation, which inspires openness on the part of the visitor to an encounter with the other and her/his life-story as being different from existing perceptions - an openness which is defined by vulnerability. As a result, vulnerability is at the heart of exhibitions on Difficult Matters.The overall conclusion to be drawn from the study is that vulnerability is a key concept in museum pedagogy and that vulnerability is an ambivalent potentiality which must be addressed from a double perspective on vulnerability as being inherent to the human condition and dependent on the particular situation. Consequently, vulnerability calls for pedagogical considerations and ethical attention from museum professionals, when designing exhibitions on Difficult Matters. (shrink)

The paper argues that Plato’s dialogue form creates a Quinean “opaque context” that segregates the assertions by Plato’s characters in the dialogues from both Plato and the real world with the result that the dialogues require a hermeneutical interpretation. Sec. I argues that since the assertions in the dialogues are located inside an opaque context, the forms of life of the characters in the dialogues acquires primary philosophical importance for Plato. The second section argues that the thesis of Sec. I (...) coheres with the claim in Plato’s Seventh Letter that since philosophical truth is incommunicable by means of language it is of primary importance for philosophers to develop proper “schemes of living”. Sec. III argues since the forms of life of the characters portrayed in the dialogues is of primary philosophical importance for Plato, and since hermeneutical methods are required to interpret emerging forms of life, Plato’s dialogues are positively crafted to be read hermeneutically. Sec IV argues that Heidegger, who is famous for seeing Plato’s views as antithetical to his own hermeneutical approach, is mistaken, and that Plato’s real views are, in principle, more akin to Heidegger’s views than he thinks. (shrink)

This book chapter shows how the early Heidegger’s philosophy around the period of Being and Time can address some central questions of contemporary social ontology. After sketching “non-summative constructionism”, which is arguably the generic framework that underlies all forms of contemporary analytic social ontology, I lay out early Heidegger’s conception of human social reality in terms of an extended argument. The Heidegger that shows up in light of this treatment is an acute phenomenologist of human social existence who emphasizes our (...) engagement in norm-governed practices as the basis of social reality. I then defuse a common and understandable set of objections against invoking the early Heidegger as someone who can make any positive contribution to our understanding of social reality. Lastly, I explore the extent to which the early Heidegger’s philosophy provides insights regarding phenomena of collective intentionality by showing how the intelligibility of such phenomena traces back to individual agents’ common understanding of possible ways of understanding things and acting with one another. With the early Heidegger, I argue that this common understanding is the fundamental source and basis of collective intentionality, not the non-summativist constructionism on which contemporary analytic social ontology has sought to focus with much effort. The lesson about social ontology that we should learn from the early Heidegger is that there is a tight connection between the social constitution of the human individual and his or her capacity to perform actions or activities that instantiate collective intentionality. (shrink)

Theories of cognition and theories of social practices and institutions have often each separately acknowledged the relevance of the other; but seldom have there been consistent and sustained attempts to synthesize these two areas within one explanatory framework. This is precisely what my dissertation aims to remedy. I propose that certain recent developments and themes in philosophy of mind and cognitive science, when understood in the right way, can explain the emergence and dynamics of social practices and institutions. Likewise, the (...) view I construct explains how social practices and institutions shape the character of cognition of their constituent agents. Moreover, I explain both cognitive and social agency under the single explanatory framework provided by Dynamic Systems Theory. Drawing upon the phenomenological tradition, "embodied, "extended", "embedded", "enactive", and "ecological" approaches to cognition, as well as the conceptual resources of Dynamic Systems Theory, I construct a theory of agency that sees cognitive and social agents as far-from-equilibrium, open, recursively self-maintenant dynamic systems. Depending on the specifics of concrete circumstances, such systems, which I call "Dynamic Embodied Agents", may develop and possess emergent capacities for error-detection, flexible learning, normative behavior, representation, self-reflection, various modes of pattern-recognition, a temporal sense of self, and even moral responsibility. Some such systems are also sensitive to perceived social influences ; while reciprocally constituting and causally affecting them. (shrink)

One of the least explored areas of C.S. Peirce's wide range of work is his contributions to psychology and the philosophy of mind. This dissertation examines the corpus of this work, especially as it relates to the subjects of mind, habit, instinct, sentiment, emotion, perception, consciousness, cognition, and community. The argument is that Peirce's contributions to these areas of investigation were both highly original and heavily influenced by the main intellectual currents of his time. An effort has been made to (...) present Peirce's philosophy without apology, within the conceptual framework and idiom of its time, and without appeal to a comprehensive view that Peirce never articulated. Nevertheless, as several noted interpreters have argued, much of this work can be viewed through the lens of Peirce's innovative theory of signs and the notion of the semiotic triad as its central unifying feature, despite the fact that the general theory was itself under continuous refinement and remained incomplete at the time of his death. Another hermeneutical device employed is William James' better known and more accessible work which, when juxtaposed with Peirce's ideas, serves to bring them into sharper relief. While general and historical in the presentation of material, this study seeks, at the same time, to engage the criticism of contemporary Peirce scholars in an attempt to account for several of the conundrums inherent in Peirce's work. Among the problems with implications for his philosophy of mind and theory of inquiry are the limitations of his theory of continuity, his negative view of the self, his somewhat ambiguous position on the relation of psychology to logic, and the metaethical puzzle arising from application of his theory of probable inference to truly fateful decisions. These problems provide an interesting perspective and lend balance to the truly insightful contributions Peirce made to the discovery of the mind. (shrink)

Jan Patočka and Paul Ricoeur are well known for their accounts of history and the historical understanding of human life. Lesser known are their phenomenological accounts of death and the afterlife. Although their thoughts are available only in fragments, they show a peculiar theoretical richness, as their conceptions of the afterlife are connected to fundamental topics like history, intersubjectivity and memory. In my article, I will attempt to shed light on these fragments, to show how they are embedded in already (...) existing phenomenological theories of the afterlife such as Max Scheler’s essay Tod und Fortleben, and to trace their relation to each other. As I will try to show, Patočka and Ricoeur’s thoughts can offer an alternative formulation of the phenomenology of death that differs from Martin Heidegger’s analysis of death and human mortality in Being and Time. Such an alternative phenomenology of death would not so much focus on the authentic but rather on the intersubjective understanding of death, human mortality, and the afterlife. (shrink)

Contemporary studies of the phenomenon of attention uncritically suppose that the only way to go about observing attention is as a modification of consciousness. Consciousness is taken to be always intentional, i.e., distinguished by reference to an object-whether physical or not-toward which it is directed. Observers of attention therefore assume that attention is an intentional modification of consciousness. Such practices of observation, in virtue of the kinds of practices that they are, take for granted that the fundamental constituents of reality (...) are subjects and objects. Edmund Husserl and Martin Heidegger discovered that belief in the world as divided into subjects and objects is merely a convenience designed for the purpose of making a certain kind of sense of experience intelligible-a belief that operates as a controlling assumption which forces the world, if it is to be intelligible, to show up under the oppressively confined ontology that was originally introduced merely as an observational convenience. My work contributes to the prevalent literature an examination of these presuppositions by reconsidering what the landscape of attention studies would look like without the importation of the confinement of a world reduced to subjects in interaction with objects. I do this first by returning to the fundamental and yet strangely forgotten insights into the question that Husserl and Heidegger provided. Then I explore through some of the autobiographical work of Virginia Woolf, Simone Weil, and Pascal a pathway by which we might think differently about what it is to pay attention. I conclude that attention might also be understood as a kind of waiting that does not specify an object, but rather a posture, a way of being that necessarily manifests itself prior to any sort of prejudged or anticipated object. The contribution of my work will serve the community of observers of attention by forcing them to explain what it is to pay attention without reliance on the subject-object distinction. (shrink)

This chapter uses one particular proposal for interdisciplinary collaboration – in this case, between early Heideggerian phenomenology and enactivist cognitive science – as an example of how such partnerships may confront and negotiate tensions between the perspectives they bring together. The discussion begins by summarising some of the intersections that render Heideggerian and enactivist thought promising interlocutors for each other. It then moves on to explore how Heideggerian enactivism could respond to the challenge of reconciling the significant differences in the (...) ways that each discourse seeks to apply the structures it claims to uncover. (shrink)

From where does the frequently explored connection between identity, difference and power stem? One thinker influencing contemporary discussions on this theme is Judith Butler. To her, the primary difference constituting identity is the difference between the subject and the historical power constructing it. Although they belong together, power can still be said to subjugate the subject. However, within this system, the origin of power cannot be accounted for. I will therefore attempt to examine this origin on the basis of Martin (...) Heidegger's The History of Being, written 1938-1940). According to him, power is something intrinsically dependent on subject metaphysics. The latter stems from what he calls the oblivion of being, which can also be expressed as the forgetting of the difference between beings and being. The abiding in this difference opens the way into that which Heidegger calls enowning, in which the human being can reach identity in a qualified respect, as a nearness to his own being. Only on this way can the regime of power, permeating identity construction, be overcome. (shrink)

In this study I primarily deal with the problem of historical understanding in the work of Hannah Arendt. In doing so, I try to show that Arendt’s ideas concerning the problem of understanding history may be compared to the works of Heidegger and Gadamer and further developed using some hermeneutical insights as found in their works. I also try to address the topic of judgment; I attempt to show that for Arendt, judgment is an integral, indispensable part of the process (...) of understanding. (shrink)

Investigamos a possibilidade de pensar uma Filosofia da educaçáo a partir da obra do filósofo alemáo Martin Heidegger. Temos os objetivos específicos de esclarecer o que é o cuidado no campo teórico do autor, como ele poderia se relacionar com a educaçáo e como este poderia basear uma pedagogia que preza pelo exercício de ser si-próprio. Presumimos poder afirmar que o cuidado, entendido preliminarmente como a essência do existir humano, tornaria possível um modo do discente colocar-se diante de suas vivências (...) ressignificando sua existência. Etapas precedidas por uma apropriaçáo filosófica da educaçáo e das experiências existenciais dos que estáo envolvidos no processo de educar para a época atual. A filosofia de Heidegger, que sabemos resguardar muitos pormenores, será tratada aqui de maneira simplificada e, embora respeitando seu cânon, buscaremos traduzi-la em linguagem acessível, de modo a náo nos perdermos em especificidades que poderiam obstruir nosso caminho de argumentaçáo. (shrink)

In this paper, I discuss and compare the possibility of thinking that which is most worth our thought in Deleuze’s What Is Philosophy? and Heidegger’s course lectures in What Is Called Thinking?. Both authors criticize the history of philosophy in similar ways in order to reconsider what should be taken as the nature and task of philosophical thinking. For Deleuze, true thinking is the creation of concepts, but what is most worth our thought in fact cannot be thought. For Heidegger, (...) Being calls on us think, and to think rightly is to be underway toward thinking itself, a grateful heeding of Being. In this paper I explore the very possibility to think that which is most worth our thought. I will argue that although for both authors proper thinking as such is possible, thinking what is most worth our thought seems remarkably both possible as impossible. (shrink)

: Through its would-be extrication from education, fear just gets forced into a less detectable and hence more efficacious modus operandi characteristic of anxiety and deep boredom. Since proscribing fear protects students not against the danger it foreshadows but against acknowledging the existence thereof, a conditional acceptance of it might empower them to manage their lives superlatively. Being only bureaucratically objective when conveying threats to their future, as schools do, is a limitation imposed upon a more responsible, deeper-level intersubjective involvement (...) to which fear holds the key. Schools are best placed for attempting to restore the public management of ‘individual’ fears. (shrink)

Martin Heidegger’s Conversation On A Country Path About Thinking deals with the concept of Gelassenheit experienced as the essence of thinking, a thinking that is not intended as representing, as self-determining thinking, but is conceptualized as “meditative thinking.” Meditative thinking is the kind of thinking that thinks the truth of being, that belongs to being and listens to it. To understand Gelassenheit as the essence of thinking means to have a different and more radical insight into the essence of who (...) we are. The aim of this paper is to investigate what Heidegger means by Gelassenheit, but not proposing an answer to a “what is” question. This paper is instead an attempt to enact a thinking transformation that through a close reading of Heidegger’s work will lead us on that path towards Gelassenheit, on which a different understanding of man’s innermost being can be glimpsed. (shrink)

This article argues that the representation of animals in Romantic poetry contributes to the contemporary philosophical and ethical discussion of the question of animals by providing a literary expression of the latter. Conversely, reading depictions of animals in Romantic poetry with their philosophical implications in mind throws light on the oppositions between different human groups, such as between Orientals and Occidentals, or between males and females, in Romantic poetry. These categories connect with each other in different ways in the works (...) of three prominent Romantic poets: William Wordsworth, Lord Byron and Alexander Pushkin. Animals in their poetry reflect their views of various entities falling under the category of the self and that of the other; and indicate the relationships of these entities with such concepts as language, difference, passivity and subjectivity. These concepts find their formulations in the contemporary philosopher Jacques Derrida’s writing on the question of the animals. My analysis will focus on three poems: Wordsworth’s “There was a Boy”, Byron’s “Childe Harold’s Pilgrimage” and Pushkin’s “The Fountain of Bakhchisaray”. It will offer a reading of them side by side with Derrida’s essay “And Say the Animal Responded”. (shrink)

There is wide agreement that background infrastructure is unconsciously applied and is not formally representable, but views diverge as to whether this sort of skill should be considered knowledge in the proper sense. In this paper I attempt to show that background infrastructure is a type of skilled knowledge which serves as a precondition for the mind to be about things in the world. Contrary to the common understanding that background is primarily mechanical, the view presented here affirms that it (...) as a totality of knowing taken up by the body and converted into an implicit ‘know-how’. It appears as a mode of mind’s ‘enworldment’, as well as an organ of potentiality. (shrink)

Vampire stories and folklores have originated from a range of sources; however, it is rather certain that the repulsive but attractive vampiric monster images in present popular culture are primarily derived from Anne Rice’s novel Interview with the Vampire. That being said, it was around the end of the eighteenth century that vampires first invaded the popular literary world, with literary vampires growing noticeably more powerful and perpetual than any of their monstrous predecessors in the years since the publication of (...) John Polidori’s successful short story The Vampyre in 1819. Due to associated aesthetic transformations, vampirism itself has become increasingly popular, to the extent that it now commands some followers who even worship vampiric rituals and lifestyles in spite of there being no solid, physical evidence of actual vampires, but rather only literary and imaginary examples of the creatures. In order to grasp how this fascination with vampires has turned into a quasi-religious phenomenon and ideology, a proper investigation of vampiric mechanisms and aesthetics should be empirical in nature. Utilizing Interview with the Vampire as an example due to its clearly substantial influence on current vampire imagery, this article examines how the paradoxical interchange between aversion and attraction plays its role in the visceral religion of the vampire-immersed world. (shrink)

Through an exploration of theoretical physics, this paper suggests the need for regrounding natural science in phenomenological philosophy. To begin, the philosophical roots of the prevailing scientific paradigm are traced to the thinking of Plato, Descartes, and Newton. The crisis in modern science is then investigated, tracking developments in physics, science's premier discipline. Einsteinian special relativity is interpreted as a response to the threat of discontinuity implied by the Michelson-Morley experiment, a challenge to classical objectivism that Einstein sought to counteract. (...) We see that Einstein's efforts to banish discontinuity ultimately fall into the “black hole” predicted in his general theory of relativity. The unavoidable discontinuity that haunts Einstein's theory is also central to quantum mechanics. Here too the attempt has been made to manage discontinuity, only to have this strategy thwarted in the end by the intractable problem of quantum gravity. The irrepressible discontinuity manifested in the phenomena of modern physics proves to be linked to a merging of subject and object that flies in the face of Cartesian philosophy. To accommodate these radically non-classical phenomena, a new philosophical foundation is called for: phenomenology. Phenomenological philosophy is elaborated through Merleau-Ponty's concept of depth and is then brought into focus for use in theoretical physics via qualitative work with topology and hypercomplex numbers. In the final part of this paper, a detailed summary is offered of the specific application of topological phenomenology to quantum gravity that was systematically articulated in The Self-Evolving Cosmos (Rosen 2008a). (shrink)

Dikaiosyne. Revista de filosofía práctica, n° 11, Mérida – Venezuela, Universidad de Los Andes, Diciembre de 2003. Resumen : Si quisiéramos resumir la concepción del ritmo que ha prevalecido en la doxa común a través de los últimos siglos, diríamos que dicho concepto se ha interpretado, a partir de Platón, como metro o medida. En la era “moderna” el término “ritmo” se sigue interpretando en esta forma convencional, pero recientemente teóricos “post-modernistas” inspirados directa o indirectamente en las - Philosophie – (...) Nouvel article. (shrink)

The Truth Of Carousing Peasants Becomes Disclosed In this paper, I attempt to reconstruct the central points of Martin Heidegger’s theory of the work of art, and argue that Adriaen van Ostade's 1634 painting, "Carousing Peasants In a Rustic Interior," is a perfect lens to see the strength and validity of Heidegger's understanding of art. Heidegger's philosophy of art contains three major components, each of which I examine and argue is manifest in Ostade's painting. The three components the work of (...) art reveals are the following: firstly, a tension is created between "earth" and "world" by instigating what Heidegger calls "strife." Secondly, the work of art reveals its truth as unconcealment or, and thirdly, art is poesis; art, through language, produces beings that organically unfold out of themselves. Adriaen van Ostade's "Carousing Peasants In a Rustic Interior" is a painting from the Dutch golden age of the 17th century. The painting illustrates a few peasants congregating in a small, humble and partly lighted dwelling at the end of a day that reveals an interesting illustration of human solidarity. In this paper I argue that Ostade's painting, in the way Heidegger articulates in his theory, speaks to the observer, such that it reveals some more fundamental truth than a static depiction of peasant life. Heidegger's theory or art offers modern life a conception that makes essential the setting forth a meaningful world of intelligibility that ought to be taken seriously. This theory applied to Ostade's painting reveals the truth of peasants’ lives and what it may communicate to us as observers of this work of art in 2017. Kanally, Sebastian The Truth of Carousing Peasants Becomes Disclosed. Key Words: Heidegger, Art, Truth, Unconcealment, Solidarity, Painting, World, Strife, and Peasants. (shrink)

Es herrscht allgemeine Einigkeit darüber, dass die Hintergundinfrastruktur unbewusst eingesetzt wird und nicht formal vorstellbar ist. Die Meinungen gehen jedoch im Hinblick darauf auseinander, ob diese Art Fertigkeit als Wissen im eigentlichen Sinne des Wortes verstanden werden soll. Im Artikel versuche ich zu zeigen, dass die Hindergrundinfrastruktur ein Typ des Fachwissens ist, der für den Geist als Voraussetzung dient, um von den Dingen in der Welt zu sein. Im Gegensatz zur gängigen Auffassung, der Hintergrund sei primär mechanisch, bestätigt der hier (...) vorgestellte Blick, dass er eine Wissenstotalität ist, vom Körper übernommen und in implizites Know-how verwandelt. Er erscheint als ein Modus der „Verweltlichung“ des Geistes und als ein Organ der Potentialität. (shrink)