The primary interpretative challenge for understanding Parmenides’ poem revolves around explaining both the meaning of, and the relationship between, its two primary sections: a) the positively endorsed metaphysical arguments which describe some unified, unchanging, motionless, and eternal “reality”, and b) the ensuing cosmology, which incorporates the very principles explicitly denied in Aletheia. I will refer to this problem as the “A-D Paradox.” I advocate resolving this paradoxical relationship by reading Parmenides’ poem as a ring-composition, and incorporating a modified version of (...) Palmer’s modal interpretation of Aletheia. On my interpretation, Parmenides’ thesis in Aletheia is not a counter-intuitive description of how all the world must truly be, but rather a radical rethinking of divine nature. Understanding Aletheia in this way, the ensuing “cosmology” can be straightforwardly rejected as an exposition of how traditional, mythopoetic accounts have misled mortals in their understanding of divinity. Not only does this interpretative view provide a resolution to the A-D Paradox, it offers a more holistic account of the poem by making the opening lines of introduction integral to understanding Parmenides’ message. By setting forth its own unacceptable fiction, paralleling the elements of the Doxa in a ring-composition, the Proem simultaneously establishes the scope of the ensuing inquiry, and its target. Maintaining Parmenides’ historical position as the “father of metaphysics,” the narrative that he advanced a strictly secular account of all reality is challenged. Instead, Parmenides is best understood as further advancing Xenophanes’ criticisms of traditional religion, an intellectual relationship which the ancient testimonia strongly supports. (shrink)

The paper demonstrates that Parmenides’ monism is a logical consequence of his criteria for philosophy, in conjunction with the logical operators he uses, and their holistic connection. Parmenides, I argue, is the first philosopher to set out explicit criteria for philosophy, establishing as criterion not only consistency, but also what I call rational admissibility, the requirement when giving an account of something that the account be based on rational analysis and can withstand rational scrutiny. I give a detailed account of (...) the logical operators Parmenides uses in his argument and of the way in which his notion of being is tailored to fit both them and his criteria for philoso-phy. (shrink)

This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of some critical (...) variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink)

A well-established tradition has argued that it is not legitimate to attribute to Parmenides a Fregean semantics, i.e. the distinction between ‘naming’ and ‘meaning’. Nonetheless, Parmenides claims more than once (B 8.53, B 9.1) that mortalsdo namereality, although incorrectly. As many scholars have emphasised, because it is fair neither to conclude that mortals’ names are ‘empty names’ nor dismiss Opinion's account (i.e., broadly speaking, the mortals’ account of reality) itself as meaningless, it seems that Parmenides is suggesting that some kind (...) of distinction between what names refer to and what names mean must be drawn. In view of this, what is Parmenides’ account of names?My suggestion is that in order to explain the Eleatic philosophy of language (and the Eleatic account of names) a step back is required. More specifically, Parmenides’ epistemology has to be taken into account. Indeed, if we assume that Parmenides is arguing for an ‘epistemological disjunctivism’ – such that the veridical and truthful state and the erroneous and deceptive state are essentially different – it will be clear that he is further arguing for what could be defined as a ‘semantic disjunctivism’, so that true speech and false speech are essentially different as well. (shrink)