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Sophocles the Unphilosophical

Mnemosyne 24 (1):11-59 (1971)

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  1. How Like a Woman: Antigone's ‘Inconsistency’.Matt Neuburg - 1990 - Classical Quarterly 40 (1):54-76.
    The problem of the genuineness of Antigone's lines Ant. 904–20 has never been satisfactorily resolved. The passage has been vehemently impugned for more than a century and a half; yet the majority of editors print it without brackets, and probably the majority of scholars accept it. This stalemate is aggravated by the manner in which the argument has traditionally been conducted.
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  • Eksistenca literarnih likov in neverbalna motivacija v Sofoklovi tragediji ter dramska klima.Brane Senegačnik & Sergej Valijev - 2023 - Clotho 5 (1):7-25.
    Pričujoči članek obravnava vpliv dramske klime, v kateri se prepletajo zunanje in notranje okoliščine dramskega dogajanja, na odločitve, sodbe in ravnanja dramskih likov. To ponazarjava s primeroma iz Antigone in Trahink. V vzdušju povojnih Teb Ismena omahuje med strahom pred kaznijo in strahom pred božanskim srdom zaradi nepokopa Polinejka. Prav tako lahko vpliv dramske klime opazimo v Kreontovi spremembi odločitve glede Ismenine obsodbe na smrt. Posebno pozornost v članku dobi tudi zahtevno vprašanje atribucije verzov v Antigoni 572, 574 in 576, (...)
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  • Antigone's Autonomy.David N. McNeill - 2011 - Inquiry: An Interdisciplinary Journal of Philosophy 54 (5):411-441.
    Sophocles' Antigone contains the first recorded instance of the word αὑτ ό νομος, the source for our word “autonomous”. I argue that reflection upon the human aspiration toward autonomy is central to that work. I begin by focusing on the difficulty readers of the play have determining whether Antigone's actions in the play should be considered autonomous and then suggest that recognizing this difficulty is crucial to a proper understanding of the play. The very aspects of Antigone's character that seem (...)
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