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Disagreement and Academic Scepticism in Bayle

In Sébastien Charles & Plínio Junqueira Smith (eds.), Academic Scepticism in the Development of Early Modern Philosophy. Cham: Springer Verlag (2016)

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  1. Skepticism and Incomprehensibility in Bayle and Hume.John Wright - 2019 - In The Skeptical Enlightenment: Doubt and Certainty in the Age of Reason. Liverpool, UK: pp. 129-60.
    I argue that incomprehensibility (what the ancient skeptics called acatalepsia) plays a central role in the skepticism of both Bayle and Hume. I challenge a commonly held view (recently argued by Todd Ryan) that Hume, unlike Bayle, does not present oppositions of reason--what Kant called antimonies.
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  • Mary Astell’s critique of Pierre Bayle: atheism and intellectual integrity in the Pensées.Jacqueline Broad - 2019 - British Journal for the History of Philosophy 27 (4):806-823.
    This paper focuses on the English philosopher Mary Astell’s marginalia in Lady Mary Wortley Montagu’s personal copy of the 1704 edition of Pierre Bayle’s Pensées diverses sur le comète (first published in 1682). I argue that Astell’s annotations provide good reasons for thinking that Bayle is biased toward atheism in this work. Recent scholars maintain that Bayle can be interpreted as an Academic Sceptic: as someone who honestly and impartially follows a dialectical method of argument in order to obtain the (...)
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  • Recent Work in Early Modern Women’s Philosophy: Some Implications for the Canon.Jacqueline Broad - 2021 - Mind 132 (528):1126-1141.
    In this article, I critically examine a number of recent editions of philosophical works by early modern women. I argue that the proliferation of such texts is likely to have positive implications for the study of early modern philosophy. By taking a historical-contextualist approach to women’s writings, these editions contribute to the goal of a thorough, unbiased, and impartial account of early modern thought. Their accessibility and teachability also draw attention to historical-philosophical ideas, methods, and genres that could have worth (...)
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