A detailed interpretation is provided of the ‘Gray's Elegy’ passage in Russell's ‘On Denoting’. The passage is suffciently obscure that its principal lessons have been independently rediscovered. Russell attempts to demonstrate that the thesis that definite descriptions are singular terms is untenable. The thesis demands a distinction be drawn between content and designation, but the attempt to form a proposition directly about the content (as by using an appropriate form of quotation) inevitably results in a proposition about the thing designated (...) instead of the content expressed. In light of this collapse, argues Russell, the thesis that definite descriptions are singular terms must accept that all propositions about a description's content represent it by means of a higher-level descriptive content, so that knowledge of a description's content is always ‘by description’, not ‘by acquaintance’. This, according to Russell, renders our cognitive grip on definite descriptions inexplicable. Separate responses on behalf of Fregeans and Millians are offered. (shrink)

This paper presents a detailed exegesis of Russell’s “Gray’s Elegy Argument”. It holds that the GEA mounts a successful attack on Frege—a thesis that has been widely controverted in the literature. The point of departure for my interpretation is Russell’s charge that it is impossible to speak about Sinne, or “meanings” as Russell calls them. I argue that the charge concerns the construction of an “ideal language.” For Russell, an ideal language is an artificial schema designed to represent the truth-makers (...) for sentences occurring in natural language. Its signs stand for the entities that are constituents of those truth-makers. Russell’s charge can thus be expressed more clearly and completely as follows: an ideal language designed to express Frege’s ontology requires signs for meanings ; however, the signs introduced for that purpose cannot be correlated with the entities they are supposed to represent. Thus, the requirement cannot be met. (shrink)

In his recent book, "The Metaphysicians of Meaning" (2000), Gideon Makin argues that in the so-called "Gray's Elegy" argument (the GEA) in "On Denoting", Russell provides decisive arguments against not only his own theory of denoting concepts but also Frege's theory of sense. I argue that by failing to recognize fundamental differences between the two theories, Makin fails to recognize that the GEA has less force against Frege's theory than against Russell's own earlier theory. While I agree with many aspects (...) of Makin's interpretation of the GEA, I differ with him regarding some significant details and present an interpretation according to which the GEA emerges as simpler, stronger, and more integrated. (shrink)