Hegel’s philosophy is in tension with liberalism, containing both liberalizing tendencies and rejecting liberal norms. I explore this tension by investigating the relationship between religion, fanaticism, and world history in Hegel’s discussion of Islam. Drawing on recent work that considers Hegel’s treatment of race and world history, I show that he views Islam as a form of fanaticism that is antithetical to Christian Europe. This rejection of Islam stands in contrast to his treatment of the French Revolution, which is a (...) fanaticism that can be incorporated into world history. I conclude that Hegel does not provide resources for narrating a history of a more inclusive Europe, but that interrogating his philosophy offers strategies for thinking askew the liberal “problem-space” and reconsidering identities formed in opposition to the Islamic fanatic. Such an interrogation reveals the assumptions at work in contemporary debates about the liberalization of Islam. (shrink)

This article explores the implications of Gillian Rose's social and political theory of modernity. For Rose, modernity not only construes `the autonomous moral subject as free within the order of representations and unfree within its preconditions and outcomes' (1996: 57), it is also `the working out of that combination' (ibid.). The implications of this view are explored below, concentrating in particular on the way Rose tackled the aporias and contradictions of modern sociology and social theory. Its conclusion is twofold. First, (...) that Rose retrieves the absolute as fundamental to the meaning of social and political critique, and second that, in the face of demands for radical political action, not least in Marx's 11th thesis on Feuerbach, it is the religious dimension of our political experience that has been consistently overlooked. It is my argument that, in her concept of `the broken middle', Rose does not overcome the gap between theory and practice, but she does comprehend it as a way of life, one characterized by human struggling and failing. This way of life calls us to `mind the gap'. (shrink)

Jean-Francois Lyotard's essay `Adorno as the Devil' had argued that Theodor Adorno's Philosophy of Modern Music was a `diabolic' work of `negative theology' which attributed to Schoenberg's music a secret redemptive power. However, in his later writings, such as the essays in The Inhuman, Lyotard has himself moved close to a `negative theological' position with respect to modernity, time, aesthetics and music. The paper uses the occasion of Lyotard's own theologically inspired essays on music, `God and Puppet' and `Obedience', to (...) re-evaluate the following: Adorno's claims that music transcends mere language and `reaches' for the theological; and more general claims within modern western culture on behalf of music's ability to express the inexpressible. The argument is that the music as negative theology position is not inherently metaphysical but rather that it reflects the importance of the `unsayable' to modern conceptions of reason. In resisting the `closure' of the modern narrative of reason, music, as a temporal art, has often given expression to the more radical forms of alterity present within modern forms of time. In other words, negative theology is not the discourse of the devil; it is the impossible discourse of western reason and its internal fracturing. (shrink)

This essay is an attempt to analyze an important decision Brzozowski took at the end of his life, i.e. his late turn towards Catholicism, which, despite his own objections, we should nonetheless call a religious conversion. The main reason why Brzozowski resisted the traditional rhetoric of conversion lies in his often repeated conviction that faith cannot invalidate life, because “what is not biographical, does not exist at all.” Brzozowski, therefore, rejects conversion understood as a radical and abrupt revolution of the (...) soul, which annuls everything that happened before, and turns to a model of religiosity (“Catholicism, undoubtedly”) which preserves his entire biographical past. In this manner, Brzozowski seeks his own formula of faith, more adequate to the “situation” of the modern man who lives in and through History. I argue that the model of “conversion without conversion” Brzozowski chose as representative of modern man is typically, though avant la lettre , post-secular: closer to the Jewish sources of past-oriented tschuva than to the mystical timelessness of traditionally Christian metanoia . The idea that redemption consists not in a liberation of a pure spirit but in a patient working-through of the universal history of creation is an implicit credo of the whole modern age, first fully articulated by Brzozowski and only later in the writings of Hermann Cohen, Franz Rosenzweig, and Walter Benjamin. Brzozowski emerges as a relatively early precursor of the future post-secular option whose advocates, like the author of The Diary , will not allow themselves to “lose a single moment,” either of their lives or the world’s history. (shrink)