The paper discusses some of the key factors that shaped Friedrich Kittler’s anglophone reception. Four points are of special importance: the truncated appropriation of Kittler’s ‘middle period’ by American academics; the structural and ideological reasons for the failure of North American German Studies to capitalize on the growing interest in Kittler; the charges of technodeterminism; and Kittler’s difficult role in the debate over posthumanism.

Focusing on Kittler’s reading of Goethe’s ‘Wanderer’s Nightsong’ and Pink Floyd’s ‘Brain Damage’, the article traces Kittler’s development from discourse analysis to media theory. Where more traditional approaches would stress notions of self-reflexivity (both the poem and the song elaborate on their effects and foreground their own construction), Kittler performs, in his own words, a kind of ‘implosion’: The words of Goethe’s poem collapse back into the discursive order they evoke, and Pink Floyd’s song performs its own technology. But it (...) is precisely this implosion that has an intoxicating effect, which paves the way for a more political, or at least politicized, reading of Kittler’s work that highlights his indebtedness to the cultural transgressions of the 1960s. (shrink)

Following a short discussion of the German philosopher Friedrich A. Kittler’s biographical and intellectual formation, this interview introduces the reader to Kittler’s theoretical efforts to develop our understanding of contemporary culture and society. However, the focus of the interview is on the core concepts of ‘discourse networks’, ‘the military-industrial complex’, and ‘technology’, arguably the three central themes of Kittler’s work to date. As the title of the interview indicates, the idea of ‘cultural mathematics’ is also considered important in this account (...) of Kittler’s particular contribution to social and cultural theory, although this and related notions are critically appraised together with an assessment of their theoretical, social and cultural impact. (shrink)

This dissertation is situated within the field of media studies, with a particular focus on the "materialities of communication." The concept of "materialities" is oriented to the underlying conditions that allow communication to take place: the places, carriers and modes of communication that serve to shape and even alter meaning. My dissertation asks how this "material turn" can usefully be applied to and help develop the study of theatre.