This chapter explores perspectivism in the American Pragmatist tradition. On the one hand, the thematization of perspectivism in contemporary epistemology and philosophy of science can benefit from resources in the American Pragmatist philosophical tradition. On the other hand, the Pragmatists have interesting and innovative, pluralistic views that can be illuminated through the lens of perspectivism. I pursue this inquiry primarily through examining relevant sources from the Pragmatist tradition. I will illustrate productive engagements between pragmatism and perspectivism in three areas: in (...) the pragmatists’ fallibilistic theories of inquiry and truth, in their pluralistic metaphysics, and in their views on cultural pluralism. While there are some potential sticking points between pragmatism and perspectivism, particularly around the visual metaphor of perspective, these philosophical approaches nonetheless have much to learn from each other. Perspectivism is in danger of falling between the horns of pernicious relativism and a platitudinous view of the limits of human perception and cognition. The pragmatists accounts of truth and reality open the possibility of a more thoroughgoing perspectivism. I will follow this thread through Charles S. Peirce’s, William James’, and John Dewey’s theories of inquiry and truth, Peirce’s evolutionary metaphysics, James’ radical pluralism, Dewey’s cultural naturalism, Richard Rorty’s anti-essentialism, Jane Addams’ standpoint epistemology, W.E.B. Du Bois’ theory of race consciousness, Horace Kallen’s and Alain LeRoy Locke’s cultural pluralism, and Mary Parker Follett’s account of pluralistic integration. (shrink)

Este artículo pretende establecer una relación entre la frase “Dios ha muerto” y el tema de la ciencia en Nietzsche. Para tal fin, se hará un análisis de la frase “Dios ha muerto” a la luz de la reciente interpretación hecha en el mundo alemán. En segundo lugar, nos ocuparemos de los conceptos de ausencia y caos para determinar si dichas nociones pueden ser consideradas como un paso ulterior a la “muerte de Dios”. Finalmente, revisaremos el tema de la ciencia: (...) las opiniones que Nietzsche tenía de la misma, las implicaciones que se desprenden de sus obras y, sobre todo, el nexo directo de la ciencia con dicha muerte. El vínculo entre estos temas permite una nueva comprensión del futuro de las investigaciones sobre el filósofo de Röcken. This article aims to establish a relationship between the phrase “God has died” and the theme of science in Nietzsche. For this purpose, an analysis of the phrase “God has died” will be made in the light of the recent interpretation made in the German world. Secondly, we will deal with the concepts of absence and chaos to determine if these notions can be considered as a further step to the “death of God”. Finally, we will review the subject of science: Nietzsche's views on it, the implications that stem from its works and, above all, the direct nexus of science with that death. The link between these themes leads to a new understanding of the future of research on the philosophy of Röcken. (shrink)

Nietzsche was a philosopher, not a biologist, Nevertheless his philosophical thought was deeply influenced by ideas emerging from the evolutionary biology of the nineteenth century. His relationship to the Darwinism of his time is difficult to disentangle. It is argued that he was in a sense an unwitting Darwinist. It follows that his philosophical thought is of considerable interest to those concerned to develop an evolutionary biology of mankind. His approach can be likened to that of an extraterrestrial sociobiologist studying (...) clever beasts... in some out of the way corner of the universe ... It is shown how be uses this viewpoint to account for the origin of the central psychobiology of humankind: for dualistic philosophies, such as that of Descartes (which Ryle famously called the official doctrine), for human notions of truth and falsehood, being and becoming, and for other fundamental concepts of Western philosophy and science. All these, he argues, are no more and no less than the necessary adaptations of a zoological species, Homo sapiens, in its struggle for life in a Darwinian world. It is concluded that Nietzsche was the first philosopher to accept and use in their full depth the philosophical implications of nineteeth-century evolutionism, implications which are still resisted to this day. It is also argued that this interpretation of Nietzsche's aphoristic writings provides them with an organic consistency. (shrink)

In this article, I wish to show that Kaufmann was right, when he claimed that “nobody has ever found a better characterization of Nietzsche” than his own, when he talked about the “music-making Socrates” in the Birth of Tragedy. Firstly, I make some general remarks on the Birth of Tragedy. Secondly, I analyse Nietzsche’s understanding of music in the Birth of Tragedy. Thirdly, I describe the particular conception of “Socrates” as Nietzsche develops it in The Birth of Tragedy. Lastly, I (...) bring these two concepts together, showing that there are various parts of Nietzsche’s mature philosophy which demonstrate a correspondence between the qualities of the “music making Socrates” and the qualities of the later Nietzsche. In this way, I establish that the later Nietzsche is very similar to the “music-making Socrates”, whom he mentioned in his Birth of Tragedy. (shrink)