Argues that the path to the good life does not consist in working toward some abstract concept of the good, but rather by ameliorating the problems of the practices and institutions that make up our practical life.

This article looks at the rare instances in Dewey’s collected works where psychiatry is addressed. Interestingly, Dewey draws on psychiatry as a way of demonstrating the flaws of excessively student-centered approaches to education. I take this to be of interest because it both clarifies Dewey’s philosophy of education while also suggesting that Dewey does not shy away from confronting truths disclosed by psychoanalysis. In fact, learning from advances in any and every field of inquiry is central to his philosophy of (...) education. While some readers of Dewey dismiss him as naïve or overly optimistic, this paper argues that Dewey invites the challenges offered by psychoanalytic work and that his understanding education for growth must be grounded in a psychoanalytically informed vision of the person. (shrink)

Much of the ethical theory posit the moral value in the action and believe in the rational systematization of morality. However, these theories are not able to deal with one of the most interesting and relevant questions in our moral lives, namely, moral dilemmas. They argue that moral dilemmas are not possible since they cannot be integrated into an ethical system without accepting inconsistence. On the contrary, moral theories that deny the possibility of systematization recognize the importance of moral dilemmas (...) for ethics and our lives. This relationship between ethics and our moral lives replaces the centrality of the action with the self. One of the philosophers that made this connection between the self and morality was John Dewey. This paper argues that rational moral theories suffer from an existential deficit and that Dewey’s approach acknowledges how humans change themselves through their moral action, and that moral choices are, in some sense, existential choices. (shrink)

La tesis central de este trabajo es que la tradicional tensión entre substancia y procedimiento socava las estabilidad de la justificación de la concepción liberal más extendida de la legitimidad (la Democracia Deliberativa). Dicha concepciones enfrentan problemas serios a la hora de articular de manera consistente dos dimensiones que parecen ir naturalmente asociadas a la idea de legitimidad: la dimensión procedimental, vinculada a la equidad del procedimiento, y la dimensión epistémica, asociada a la corrección de los resultados. En este trabajo (...) sostengo que a) esa tensión surge de la adopción de una concepción epistemológica social de tipo "veritativo-consecuencialista; b) es posible manejar dicha tensión mediante el remplazo de la epistemología subyacente por una concepción epistemológica social de tipo procedimentalista de orientación pragmatista y c) dicha operación orienta el diseño institucional en una dirección experimentalista. (shrink)

Broad consensus exists in development studies that development involves achieving and sustaining a so-called “good life.” Considerably less agreement exists, however, as to what the goal of such a life consists in and what the best practices are for bringing such a life about. The varying and competing types of approaches to development currently on offer, including cultural-economic approaches, capabilities approaches, and happiness approaches, are the conceptual by-products of this discord. The impasse between these approaches owes in part to the (...) vagueness and seeming incommensurability of value judgments. It owes in equal part to three common and interwoven tendencies when it comes to how values are approached in development theory and practice. These include: the tendency to view values as fixed and final; the tendency to formulate and evaluate means distinctly from ends; and the tendency to equate the individual character of value experience with value subjectivism, though it is wholly compatible with value objectivism. The purpose of this paper is to critically analyze these value tendencies while offering a theoretical reconstruction of each utilizing conceptual resources from philosophical pragmatism, especially John Dewey’s version it. It is argued that, by adopting a more pragmatic approach to values, development theorists and practitioners can constructively move past the present impasse in development studies. (shrink)

This thesis is concerned with establishing a bridge between matters of aesthetics and epistemology, by investigating the mechanisms through which artworks allow agents to derive knowledge through the former’s manipulation. It is proposed that, in order to understand the epistemic potential of artworks, we need to approach them as diagrams, in the sense developed by Charles Peirce. The background upon which the arguments are developed are mainly those of American Pragmatism – with a special emphasis on primary literature from Charles (...) Sanders Peirce about semiotics and inquiry, and John Dewey about aesthetics. It is introduced that the manipulation upon artworks can be an example of an inquiry process, due to artworks’ diagrammatic symbol-type-token structure, which embody the logical relations of abduction, deduction and induction. Through Peirce’s definition of inquiry, and Dewey’s definition of an aesthetic experience, it is possible to defend that artworks deliberate create states of doubt and chance as to stimulate and guide inquiry as a way to achieve an aesthetic experience, corroborating to the claim that inquiry processes and aesthetic experience share the same ontological basis: it is in the nature of aesthetic experience to confront agents and contexts with state of chance and doubt, to be further guided through inference into a state of regularity and belief. In order to develop and test the argument, I present the development of Arthur Danto’s influential theory of aesthetics based on Andy Warhol’s Brillo Boxes, by focusing on a review of Danto’s main writings about it. The central point that Danto developed in this theory is that what gives something the status of an artwork are not the immediately perceivable sensorial features of an artifact, but something else. I claim it to be a “diagrammatic structure” that can be potentially manipulated through an inquiry process. I conclude by establishing a possible development of my argument in relation to modelling processes: as diagrams, artworks can be understood as models, opening room for the emergence of new hypothesis and conjectures about the relationship between aesthetics and epistemology. (shrink)