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  1. Articulating the visitor in public knowledge institutions.Krista Lepik & Nico Carpentier - 2013 - Critical Discourse Studies 10 (2):136-153.
    This article analyses visitor articulations used by managers and key documents of three Estonian public knowledge institutions. Three visitor articulations were identified in the analysed material, namely visitors as the people, as target groups, and as stakeholders, each related in this article to a specific body of literature. These articulations are co-existent semantic tools, used by public knowledge institutions to make sense of the complex relationships with people that cross the boundaries protecting the institutions from the outside world. They show (...)
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  • Returning to the Site of Horror.Jens Andermann & Silke Arnold-de Simine - 2012 - Theory, Culture and Society 29 (1):76-98.
    Further to the recent handover of the Naval School of Mechanics (ESMA), Argentina’s most notorious centre for the clandestine torture and assassination of leftist militants under the dictatorship of 1976–83, to the city of Buenos Aires, in order to create on the premises a ‘Space for Memory’, debates on the proper commemoration of the recent past have gained momentum. In the course of these, it has become clear that there is currently no consensus among the human rights organizations, let alone (...)
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  • The Contemporary Aristotelian Museum: Exploring the Museum as a Site of MacIntyre's Tradition‐constituted Enquiry.Jenifer Booth - 2007 - Journal for Cultural Research 11 (2):141-159.
    The connection is made between the Royal Museum of Scotland and encyclopaedia, one of MacIntyre's three rival versions of moral enquiry. It is then asked how MacIntyre's other two methods, genealogy and tradition‐constituted enquiry, would function within a museum. It is proposed that the museum fulfils Haldane's criterion for tradition‐constituted enquiry in that it combines the immanence and open‐endedness of the methods of enquiry with transcendence in the objects of enquiry. The ethical judgments of the visitors constitute transcendent truth in (...)
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  • “I Left the Museum Somewhat Changed”: Visual Arts and Health Ethics Education.Clare Delany & Heather Gaunt - 2018 - Cambridge Quarterly of Healthcare Ethics 27 (3):511-524.
    :A common goal of ethics education is to equip students who later become health practitioners to not only know about the ethical principles guiding their practice, but to also autonomously recognize when and how these principles might apply and assist these future practitioners in providing care for patients and families. This article aims to contribute to discussions about ethics education pedagogy and teaching, by presenting and evaluating the use of the visual arts as an educational approach designed to facilitate students’ (...)
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  • “Starring” Madhuri as Durga: The Madhuri Dixit Temple and Performative Fan-Bhakti of Pappu Sardar. [REVIEW]Shalini Kakar - 2009 - International Journal of Hindu Studies 13 (3):391-416.
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  • Gendering the Holocaust gallery in POLIN Museum of the History of Polish Jews.Karolina Krasuska - 2019 - European Journal of Women's Studies 26 (3):247-260.
    Even though a gender perspective, in reference to various aspects of museums and their exhibits, permeates the reflection on museums, gender is not explicitly taken up as a category of knowledge within the self-reflective narratives about the core exhibition or the conceptualization of the Holocaust gallery in POLIN Museum of the History of Polish Jewish, which opened in Warsaw, Poland in 2014. Building upon the research gendering the memory of the Holocaust, especially with regard to historical exhibitions, and using a (...)
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  • Medicalization of the Post-Museum: Interactivity and Diagnosis at the Brain and Cognition Exhibit.David R. Gruber - 2016 - Journal of Medical Humanities 37 (1):65-80.
    The introduction of digital games and simulations into science museums has prompted excitement about a new "post-museum" pedagogy emphasizing egalitarianism, interactivity, and personalized approaches to learning. However, many post-museums of science, this article aims to show, enact rhetorical performances that lead visitors to narrowly targeted answers and hide the authority of the expert in a play of tactile and affective activities, thus operating in opposition to many of the basic ideals of the post-museum. The Brain and Cognition Exhibit at the (...)
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