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The oppositional gaze : Black female spectators

In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge (2010)

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  1. (3 other versions)Black post-blackness: the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford ; Spill: Scenes of black feminist fugitivity Alexis Pauline Gumbs; In the wake: on blackness and being Christina Sharpe. [REVIEW]Rachel Stonecipher - 2020 - Feminist Theory 21 (1):131-138.
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  • “They Give Reason a Responsibility Which It Simply Can't Bear”: Ethics, Care of the Self, and Caring Knowledge. [REVIEW]Adrienne S. Chambon & Allan Irving - 2003 - Journal of Medical Humanities 24 (3-4):265-278.
    We explore briefly Foucault's ideas about the care of the self, creating ourselves and what he meant by ethics. We then examine the work of five artists–Mark Rothko, Cindy Sherman, Helena Hietanen, Samuel Beckett, and Betty Goodwin–to help us begin to think very differently about illness and human suffering. Taking our lead from Beckett, we regard reason as being given too much responsibility for the work of a caring knowledge, and that it is through the arts that new ideas about (...)
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  • Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. New York: Routledge. pp. 196.
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  • La traslación de la mirada aborigen: Generación Robada y la mediación intertextual.Isabel Carrera Suárez - 2010 - Arbor 186 (741):99-106.
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  • What's in a Face?: Sara Baartman, the (Post)Colonial Gaze and the Case of Venus Noire (2010).Mara Mattoscio - 2017 - Feminist Review 117 (1):56-78.
    The story of Sara Baartman, who was brought to Europe in 1810 to be exhibited as the erotic-exotic freak ‘Hottentot Venus’, is arguably the most famous case study of the scientific validation of (gendered) racism. Her scientific examination and post-mortem dissection by Georges Cuvier, who looked for an alleged connection between the Khoisan and the orangutan, have been the object of famous critical works (Gilman, 1985; Haraway, 1989; Fausto-Sterling, 1995), but also exposed her to the unpalatable fate of becoming the (...)
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  • I, Daniel Blake (2016): Vulnerability, Care and Citizenship in Austerity Politics.Aura Lehtonen & Jacqueline Gibbs - 2019 - Feminist Review 122 (1):49-63.
    This article offers a reading of Ken Loach’s 2016 film I, Daniel Blake, a fictionalised account of experiences of the UK welfare system in conditions of austerity. We consider, firstly, the significant challenge the film poses to dominant figurations of welfare recipients under austerity, through a focus on vulnerability to state processes. We follow with a reading of some of the film’s interventions in relation to reciprocity, drawing on the important trajectories of care, community and resistance that the film renders (...)
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