John Locke’s distinction between primary and secondary qualities of objects has meet resistance. In this paper I bypass the traditional critiques of the distinction and instead concentrate on two specific counterexamples to the distinction: Killer yellow and the puzzle of multiple dispositions. One can accommodate these puzzles, I argue, by adopting Thomas Reid’s version of the primary/secondary quality distinction, where the distinction is founded upon conceptual grounds. The primary/secondary quality distinction is epistemic rather than metaphysical. A consequence of Reid’s primary/ (...) secondary quality distinction is that one must deny the original version of Molyneux’s question, while one must affirm an amended version of it. I show that these two answers to Molyneux’s question are not at odds with current empirical research. (shrink)

What philosophical issue or issues does Molyneux’s question raise? I concentrate on two. First, are there any properties represented in both touch and vision? Second, for any such common perceptible, is it represented in the same way in each, so that the two senses support a single concept of that property? I show that there is space for a second issue here, describe its precise relations to Molyneux’s question, and argue for its philosophical significance. I close by arguing that Gareth (...) Evans conflated the two issues, and thereby provide further grounds for distinguishing them. (shrink)

William Molyneux raised the following question: if a congenital blind person is made to see, and is visually presented with a cube and a globe, would he be able to call the shapes before him a cube and a globe before touching them? Locke, Berkeley, Leibniz, and Reid presented their phenomenological view of shape perception, i.e. their view as to what it is like to perceive shape by sight and touch, in responding to Molyneux’s Question. The four philosophers shared the (...) view that visual perception delivers no solid shape. This view would provide a premise for an argument for immaterial objects. The purpose of my thesis is to reject that argument. Kant’s view and John Campbell’s externalist account offer a way to reject the premise of the argument in question. However, my strategy is not to adopt their view. I pursue Reichenbach’s view that the there is no congruence or incongruence involved in the visual phenomenology. I develop his view, and propose the view that visual perception delivers no flat or solid shape. Although my view endorses the premise in question, I can offer a way to reject the argument. This is because my view is compatible with a form of externalism about perception (which differs from Campbell’s). My view can also do full justice to the phenomenological views presented by the four philosophers. (shrink)