Historically, American political science has rarely engaged popular culture as a central topic of study, despite the domain’s outsized influence in American community life. This article argues that this marginalization is, in part, the by-product of long-standing disciplinary debates over the inadequate political development of the American public. To develop this argument, the article first surveys the work of early political scientists, such as John Burgess and Woodrow Wilson, to show that their reformist ambitions largely precluded discussion of mundane activities (...) of social life such as popular culture. It then turns to Harold Lasswell, who produced some of the first investigations of popular culture in American political science. Ironically, however, his work – and the work of those who adapted similar ways of speaking about popular culture after him – only reinforced skepticisms concerning the American public. It has thus helped keep the topic on the margins of disciplinary discourse. (shrink)

This article focuses on Max Horkheimer’s criticism of Husserl’s phenomenology in basic philosophical matters such as method, theory, logic, truth, metaphysics, etc. Horkheimer objects to Husserl’s conception of philosophy as a mathesis universalis and of science as relativistic research. However, he finds Husserl’s criticism of scientific rationalism the most important step for the legitimacy of philosophy. According to him, Husserl’s method is intended to be a science of apriority. But his understanding of apriority is static, is radically abstract, and overlooks (...) the dialectical relation. Therefore, his method is ahistorical and undialectical. Horkheimer does not interpret Husserl’s idealism in the sense of classical idealism. However, he believes that the positivistic and Cartesian implications in Husserl’s philosophy made his method less fruitful in concrete situations. Consequently, he calls Husserl’s phenomenology abstract positivism, traditional theory and a bourgeois ideology. Horkheimer’s critique focuses on Husserl’s early period of phenomenology. (shrink)