Wittgenstein as Shakespearean critic. Because Wittgenstein’s commentators agree that Shakespeare is the world’s greatest ever playwright, they have to account for those few remarks of his that may suggest a negative evaluation of Shakespeare as a poet. But these remarks can also be used to reveal that Shakespeare is a poet of a kind uniquely different to the majority of those whom Wittgenstein admired. This view is central to John Middleton Murry’s interpretation of Shakespeare and Keats. In a more positive (...) light, he echoes those remarks of Wittgenstein that are often assumed to embody a critical devaluation or “misunderstanding” of Shakespeare’s work.Recent commentators: Wolfgang Huemer and William Day. If we were... (shrink)

It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...) about Shakespeare’s works, nor are the meant to be instructive in this way. What Wittgenstein’s remarks are really about is his own intellectual physiognomy: it is by way of contrast, by comparing certain features of Shakespeare with what he supposes to be characteristic of himself, that he hopes to learn about the limits and potentialities of his own personality. (shrink)

It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...) about Shakespeare’s works, nor are the meant to be instructive in this way. What Wittgenstein’s remarks are really about is his own intellectual physiognomy: it is by way of contrast, by comparing certain features of Shakespeare with what he supposes to be characteristic of himself, that he hopes to learn about the limits and potentialities of his own personality. (shrink)