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  1. Hegel, Danto, Adorno, and the end and after of art.Owen Hulatt - 2016 - British Journal for the History of Philosophy 24 (4):742-763.
    ABSTRACTIn this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end (...)
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  • Works Cited.[author unknown] - 2020 - In María Del Del Rosario Acosta López & Colin McQuillan (eds.), Critique in German Philosophy: From Kant to Critical Theory. Albany: SUNY Press. pp. 395-414.
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  • A semblance of freedom: Horkheimer and Adorno’s conception of myth.James Kent - forthcoming - Philosophy and Social Criticism.
    In this paper I argue that the pessimistic reading of Horkheimer and Adorno’s Dialectic of Enlightenment, which suggests reason is ensconced within the domination of myth, misses a key component of the authors' argument. Specifically, it misses the possibility that the liberation from the heteronomy of myth might occur via a critique of myth. Using Owen Hulatt’s reinterpretation of Adorno’s account of the tension between mimesis and self-preservation as a point of orientation, I show that while myth for Horkheimer and (...)
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