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  1. (1 other version)The Manumission of Socrates.Alex Dressler, Miguel Herrero De Jäuregui, Deborah Kamen, Leslie Kurke, Michael Mordine & Craig A. Williams - 2013 - Classical Antiquity 32 (1):78-100.
    This article argues we can better interpret key aspects of Plato's Phaedo, including Socrates' cryptic final words, if we read the dialogue against the background of Greek manumission. I first discuss modes of manumission in ancient Greece, showing that the frequent participation of healing gods (Apollo, Asklepios, and Sarapis) reveals a conception of manumission as “healing.” I next examine Plato's use of manumission and slavery as metaphors, arguing that Plato uses the language of slavery in two main ways: like real (...)
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  • (1 other version)Gender, Class and Ideology: The Social Function of Virgin Sacrifice in Euripides' Children of Herakles.Erik Gunderson, Sean Gurd & David Kawalko Roselli - 2007 - Classical Antiquity 26 (1):81-169.
    This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, the (...)
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  • (1 other version)Gender, Class and Ideology: The Social Function of Virgin Sacrifice in Euripides' Children of Herakles.David Kawalko Roselli - 2007 - Classical Antiquity 26 (1):81-169.
    This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, the (...)
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