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Can phenomenology contribute to the burgeoning science of consciousness? Dennett’s reply would probably be that it very much depends upon the type of phenomenology in question. In my paper I discuss the relation between Dennett’s heterophenomenology and the type of classical philosophical phenomenology that one can find in Husserl, Scheler and Merleau-Ponty. I will in particular be looking at Dennett’s criticism of classical phenomenology. How vulnerable is it to Dennett’s criticism, and how much of a challenge does his own alternative (...) |
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The hyletic component of kinaesthetic sensation has generally been treated with suspicion. It is usually set aside in favour of Husserl’s later analysis of kinaesthetic experience which emphasizes its practical dimension. I try to show that a nuanced understanding of the hyletic component allows us to consider its deeper temporal function. From a rather neglected passage in his Ding und Raum I show that Husserl was aware of the temporal peculiarity of kinaesthetic sensation: it is characterized by a unique kind (...) |
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ABSTRACTHow does music have the power to speak to us as if it were a living being, endowed with subjectivity? Do we empathize with music? Ordinarily we consider our perception... |
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Progressively Husserl started referring to the whole sphere of the life of intentional acts in terms of praxis. Perception, imagination, judgement, scientific consciousness, etc., are all seen as practices. What is the meaning of this move? A seemingly self-evident possibility is that intentionality is praxial, because even perception is not completely free from empty intending moments that demand fulfilment; and all fulfilment is attained by means of bodily activities that enable our senses to acquire the relevant contents. I reject this (...) |
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ABSTRACT This article demonstrates why Husserl struggled to understand the conditions of possibility of false memory, and how only the genetic dimension of his phenomenology enabled him to conceive of a specifically mnemic form of falsehood. For a false memory to deceive us, we must trust that it is true, but in order to have a phenomenology of its falsehood, the memory must appear as false. Husserl’s theory of false memory responds to both of these demands by showing how distorting (...) |
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In this paper I investigate an underappreciated element of Husserl’s phenomenology of images: the consciousness of the depicted subject, which Husserl calls the Sujetintention, e.g. the awareness of the sitter of a portrait. Husserl claims that when a consciousness regards a figurative image, it is absorbed in the awareness of the depicted subject and yet this subject some how withholds its presence in the midst of its appearance in the image-object. Image-consciousness is an intuitive consciousness that intends a being that (...) |
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In his recent book The Stream of Consciousness, Dainton provides what must surely count as one of the most comprehensive discussions of time-consciousness in analytical philosophy. In the course of doing so, he also challenges Husserl's classical account in a number of ways. In the following contribution, I will compare Dainton's and Husserl's respective accounts. Such a comparison will not only make it evident why an analysis of time-consciousness is so important, but will also provide a neat opportunity to appraise (...) |
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ABSTRACTMerleau-Ponty’s Phenomenology of Perception begins with a critique of the philosophical notion of sensation. Even though it is often generally said to be aimed at traditional psychology or empiricism, Merleau-Ponty’s critique is without question also applicable to Husserl’s notion of sensation. The first half of this paper will offer an interpretation of Husserl’s conception of sensation as the stuff of perception and the pregivennesses for all of the Ego’s operations. And then it will attempt to show how Merleau-Ponty’s critique in (...) |
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