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  1. A face estética da epistemologia pragmaticista de Peirce.Ivo A. Ibri - 2021 - Veritas – Revista de Filosofia da Pucrs 65 (3):e38456.
    A Estética, uma das ciências normativas da filosofia de Peirce, não tem por objeto o Belo, mas o Admirável, como sabem os estudiosos de sua obra. Contudo, não é imediatamente evidente essa distinção, uma vez que Admirabilidade traz em seu interior o predicado da beleza também. Quais, então, seriam as relações entre ambos esses conceitos? Por que a admirabilidade se credenciaria a ser um fim em si mesma da Estética e se constituir no fim último da Ética? Qual a natureza (...)
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  • Neopragmatism Viewed by Pragmaticism.Ivo Assad Ibri - 2013 - European Journal of Pragmatism and American Philosophy 5 (1).
    There are significant differences between the neopragmatism as formulated by Rorty, based on James’ and Dewey’s pragmatism, and what Peirce, in order to distinguish his own approach from the last two thinkers, called pragmaticism. I take in this paper the concept of solidarity as a focus, from which those differences will be implied, albeit many other points could be chosen. I highlight that the usual Rorty’s sentence beginning with ‘we pragmatists…’ shall necessarily exclude Peirce. Exemplarily, I could mention the concepts (...)
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  • Peircean Semiotic Indeterminacy and Its Relevance for Biosemiotics.Robert Lane - 2014 - In Vinicius Romanini (ed.), Peirce and Biosemiotics: A Guess at the Riddle of Life. Dordrecht: Springer Verlag.
    This chapter presents a detailed explanation of Peirce’s early and late views on semiotic indeterminacy and then considers how those views might be applied within biosemiotics. Peirce distinguished two different forms of semiotic indeterminacy: generality and vagueness. He defined each in terms of the “right” that indeterminate signs extend, either to their interpreters in the case of generality or to their utterers in the case of vagueness, to further determine their meaning. On Peirce’s view, no sign is absolutely determinate, i.e., (...)
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  • The Double Face of Habits. Time and Timeless in Pragmatic Experience.Ivo A. Ibri - 2017 - Rivista di Storia Della Filosofia 72 (3):455-474.
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  • Peirce and Dewey think about art: Quality and the theory of signs.Robert E. Innis - 2019 - Semiotica 2019 (228):103-133.
    Journal Name: Semiotica Issue: Ahead of print.
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  • Dimensions of aesthetic encounters: perception, interpretation, and the signs of art.Robert E. Innis - 2022 - Albany: State University of New York Press.
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