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Aristotle’s works on natural science show that he was aware of the affective powers of colour. At De an. 421a13, for example, he writes that hard-eyed animals can only discriminate between frightening and non-frightening colours. In the Nicomachean Ethics, furthermore, colours are the source of pleasures and delight. These pleasures, unlike the pleasures of touch and taste, neither corrupt us nor make us wiser. Aristotle’s views on the affective powers of colours raise a question about the limits he seems to (...) |
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Aristotle claims that Empedocles took perception and knowledge to be the same; Theophrastus follows Aristotle. The paper begins by examining why Aristotle and Theophrastus identify thought/knowing with perception in Empedocles. I maintain that the extant fragments do not support the assertion that Empedocles identifies or conflates sensation with thought or cognition. Indeed, the evidence of the texts shows that Empedocles is careful to distinguish them, and argues that to have genuine understanding one must not be misled into supposing that sense (...) |
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The hypothesis formulated by Usener and Diels that Theophrastus’ De sensibus is a crucial source of relevant sections of the Placita is insufficiently supported by the evidence. Of the fifteen Placita chapters dealing with sense perception and cognition, only a few are related to the treatise. |
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I argue that Democritus presents a theory of colour in which the predominance of atomic shapes and microstructural arrangements are necessary but not sufficient for colour vision. Focusing primarily on Democritus’ basic colours, I analyse his microstructural account, providing a new analysis of the natural and technological underpinnings of his method of explanation. I argue that the notion of predominance allows Democritus to account for both the variation and the repeatable correspondence of colour perception by setting limits on possible microstructures. (...) |
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Now with extra footnotes, by editorial demand! Final version accepted by Oxford Studies in Ancient Philosophy. -/- This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of all (...) |
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This is a book about the metaphysics of perception and discusses touch, audition, and vision. Though primarily concerned with the nature of perception, it draws heavily from the history of philosophy of perception, and connects the concerns of analytical and continental philosophers. |
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I argue that Democritus presents a theory of colour in which the predominance of atomic shapes and microstructural arrangements are neces- sary but not sufficient for colour vision. Focusing primarily on Democritus’ basic colours, I analyse his microstructural account, providing a new analysis of the natural and technological underpinnings of his method of explanation. I argue that the notion of predominance allows Democritus to account for both the varia- tion and the repeatable correspondence of colour perception by setting limits on (...) |
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This paper focuses on a particular conception of embodied cognition to argue that this cognitive approach can be found in Empedocles in inchoate form. It is assumed that the defining features setting apart embodied cognition from the rest of the cognitive sciences are that the body: (a) significantly constrains the embodied agent’s cognitive skills, (b) regulates the coordination of action and cognition, and (c) serves an integral function in the transmission of cognitive data. Empedocles’ epistemological fragments are examined vis-à-vis these (...) |
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Our modern scientific explanation of colour as a subjective impression has replaced a ‘pre-theoretical’ notion of colour as an intrinsic property of objects, which was mainstream in ancient thought. Why have we lost such pre-theoretical notion, and what have we lost by losing it? I argue that most ancient Greek philosophers exploited this pre-theoretical assumption – one that was obvious to them – in terms and ways that are still worthy of attention in the context of contemporary philosophy of colour. (...) |
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El color despierta muy pronto el interés de la filosofía, aunque las posiciones teóricas adoptadas acerca de su naturaleza difieran entre ellas. El estudio fisiológico de la aísthesis les brinda un denominador común, descubriendo por su medio maneras nuevas de categorizar la experiencia, distanciándose de la propiamente estética. Ese proceso llega a su apogeo cuando se concede al color cierta primacía empírica, por contribuir a idear una manera de acceder al conocimiento y sistematización de los propios fenómenos naturales. La clave (...) |
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In paragraphs 5 and 86 of the De sensibus Theophrastus gives a brief report of Plato’s views on the sense of vision and its object, i. e. colour, based on the Timaeus. Interestingly enough, he presents the Platonic doctrine as a third alternative to the extramission and intromission theories put forward by other ancient philosophers. In this article I examine whether or not Theophrastus’ account is impartial. I argue that at least some of his distortive departures from the Platonic dialogue (...) |
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As a crucial source for Presocratic theories of sense perception, Theophrastus’ De sensibus deserves a closer scrutiny than the placement among A-fragments, as often suggested or instigated. This paper proposes to refine our terminology for labelling the varying quality of reporting within the A-fragments has. It supplements the existing criticism of Diels’ division by analysing neglected features. A reassessment of the assumptions underlying the terms ‘fragment’ and ‘paraphrase’ can contribute to dissolving the sharp distinction between A- and B-fragments in DK. (...) |
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El color despierta muy pronto el interés de la filosofía, aunque las posiciones teóricas adoptadas acerca de su naturaleza difieran entre ellas. El estudio fisiológico de la aísthesis les brinda un denominador común, descubriendo por su medio maneras nuevas de categorizar la experiencia, distanciándose de la propiamente estética. Ese proceso llega a su apogeo cuando se concede al color cierta primacía empírica, por contribuir a idear una manera de acceder al conocimiento y sistematización de los propios fenómenos naturales. La clave (...) |
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