In response to Susan James’s ‘Spinoza and the poetic imagination,’ this essay illustrates how Spinoza and his interlocutors in the artistic society Nil Volentibus Arduum developed approaches to art and its social and political utility in conversation with Aristotle’s Poetics, as well as with its early modern translations, redactions, and applications. They, in turn, developed a poetry and a poetics grounded in the philosophical apprehension of nature, emphasizing vraisemblance or probability and necessity; foregrounding the careers of the affects; and affording (...) critics the ability to mobilize pleasure to their advantage and to shape audiences—a classicist project. (shrink)

This paper explores Spinoza’s relationship to poetry by considering two prominent allusions to classical literature in Spinoza’s political treatises. Susan James illuminates Spinoza’s worries about the dangers of poetic address. At the same time, Spinoza relies on poetic language and citation to press some central claims. References to Seneca and Tacitus, I suggest, aim to transform the popular imagination with respect to the relationship between government, violence, and domination. Poetic language reinforces his challenge to false solutions to the problems of (...) violence, rebellion, and the precarity of political authority, which preoccupied early-modern political thinkers. (shrink)