Since the publication of his seminal monograph "The scientific image", Bas van Fraassen is a key figure in philosophy of science. In this book, other philosophers with various outlooks critically discuss his work on theories, empiricism and philosophical stances. The book starts with a new article by van Fraassen on his preferred account of theories, the so-called semantic view. This account is now 50 years old, and van Fraassen takes this anniversary as an opportunity to review the account, its history (...) and the philosophical discussion about it. In the main part of the book, Nancy Cartwright, Finnur Dellsén, Matthias Egg, Steven French, Michael Friedman, Milena Ivanova and Michela Massimi discuss van Fraassen's contributions to philosophy. Three chapters focus on his engagement with realism (French, Friedman, Ivanova). Others study his voluntarism (Cartwright) and his view on representation (Massimi). Finally, there are contributions about his elaboration of empiricism (Dellsén) and his proposal to consider philosophical positions as stances (Egg). The volume includes a laudatio written by Steven French and finishes with a reply by van Fraassen to his critics. (shrink)

This article starts an engagement on the aesthetics of experiments and offers an account for analysing how aesthetics features in the design, evaluation and reception of experiments. I identify two dimensions of aesthetic evaluation of experiments: design and significance. When it comes to design, a number of qualities, such as simplicity, economy and aptness, are analysed and illustrated with the famous Meselson-Stahl experiment. Beautiful experiments are also regarded to make significant discoveries, but I argue against a narrow construal of experimental (...) aims. By drawing on the plurality of goals experimenters have and diversity of aesthetic responses, I argue that experiments are aesthetically appreciated both when they discover and when they produce disruptive results. (shrink)