ABSTRACTThe ideological and methodological oppositions that divide philosophy generally into realisms and idealisms, objectivisms and subjectivisms, also pervade aesthetic theory. The question arises whether there was beauty in the world prior to the emergence of intelligent perceivers like ourselves, or whether beauty itself comes into existence only through the perceptual idiosyncrasies with which we happen to encounter the objects we happen to consider beautiful. The experience of beauty and its opposites under this description can easily seem to be an altogether (...) subjective phenomenon, available at most only to those psychological subjects conditioned or predisposed to recognize certain features as possessing specific aesthetic properties. The article examines topics related to the intentionality of expression in art. Intention is often rejected as a basis for aesthetic judgment. The present discussion, by focusing on the role of perception in art production and appreciation, considers ways of addressing those objections to restore an intuitive sense of the intentional expressiveness of art. The proposed solution also helps uphold an approach toward answering the question of whether aesthetic value generally is only subjective or also has a distinctively objective element. (shrink)

John R. Searle's problem of the Chinese Room poses an important philosophical challenge to the foundations of strong artificial intelligence, and functionalist, cognitivist, and computationalist theories of mind. Searle has recently responded to three categories of criticisms of the Chinese Room and the consequences he attempts to conclude from it, redescribing the essential features of the problem, and offering new arguments about the syntax-semantics gap it is intended to demonstrate. Despite Searle's defense, the Chinese Room remains ineffective as a counterexample, (...) and poses no real threat to artificial intelligence or mechanist philosophy of mind. The thesis that intentionality is a primitive irreducible relation exemplified by biological phenomena is preferred in opposition to Searle's contrary claim that intentionality is a biological phenomenon exhibiting abstract properties. (shrink)

Abstract An examination of John Pollock's theory of artificial intelligence and philosophy of mind raises difficulties for his mechanist concept of person. Token physicalism, agent materialism, and strong artificial intelligence are so related that if the first two propositions are not well?established, then there is no justification for believing that an artificial consciousness can be designed and built. Pollock's arguments are shown to be inconclusive in upholding a functionalist theory of persons as supervenient but purely physical entities. In part this (...) is the result of Pollock's thin definition of the concept of supervenience, according to which any complex supervenes on its proper parts. The limitations of this account are apparent when contrasted with richer conceptions of supervenience, such as Joseph Margolis?. But on Margolis? theory, the mind and its expressions supervene on or rise above their material embodiments in the sense that they cannot be fully explained in physical terms, which contradicts Pollock's token physicalism and agent materialism. The consequence for Pollock's project to explain the mind as mechanical, and to manufacture artificial persons, is that these systems can at best aspire to impressive innovations in weak artificial intelligence, but realistically cannot aspire to strong or mentalistic artificial intelligence. (shrink)