Contemporary politics is often said to lack utopias. For prevailing understandings of the practical force of political theory, this looks like cause for celebration. As blueprints to apply to political practice, utopias invariably seem too strong or too weak. Through an immanent critique of political realism, I argue that utopian thought, and political theory generally, is better conceived as supplying an orientation to politics. Realists including Bernard Williams and Raymond Geuss explain how utopian programs like universal human rights poorly orient (...) their adherents to politics, but the realists wrongly conclude that utopias and other ideal theories necessarily disorient us. As I show through an analysis of utopian claims made by Michel Foucault, Malcolm X, and John Rawls, utopias today can effectively disrupt entrenched forms of legitimation, foster new forms of political identity, and reveal new possibilities within existing institutions. Utopias are needed to understand the political choices we face today. (shrink)

Review Essay: `No, We Have Not Finished Reflecting On Communism':1 Beyond Post-Socialism: Sebastian Budgen, Stathis Kouvelakis and Slavoj Zižek , Lenin Reloaded: Toward a Politics of Truth ; Cornelius Castoriadis, The Rising Tide of Insignificancy ; Cornelius Castoriadis, Figures of the Thinkable ; Filip Kovacevic, Liberating Oedipus? Psychoanalysis as Critical Theory ; Claude Lefort, Complications: Communism and the Dilemmas of Democracy.

The paper examines the sense in which Gianni Vattimo’s story of a long goodbye of modernity along with an interminable weakening of Being inaugurates a leftist philosophico-political project. The hermeneutics of “weak thought” is criticized for (a) its ambiguous concept of interpretation; (b) its way of integrating proceduralism in post-metaphysical philosophizing; and (c) the unhappy marriage it promotes between nihilism and emancipation. Finally, a philosophico-political version of hermeneutic ontology based on the idea of situated transcendence is suggested as an alternative (...) to Vattimo’s nihilistic socialism. (shrink)

The French sociologist and philosopher Henri Lefebvre developed an account of modernity that combined rigorous critique, a rejection of nostalgia, left pessimism or transcendental appeals, and the search for utopian potentialities in the hidden recesses of the everyday. This article will focus on a topic that is arguably central to his ‘critique of everyday life’ but has been entirely overlooked in the literature thus far: that of boredom. Although often dismissed as trivial, boredom can be understood as a touchstone through (...) which we can grasp much wider anxieties, socio-cultural changes and subjective crises that are intrinsic to our experience of modernity. Curiously, although Lefebvre was very interested in boredom, he did not analyse it systematically, and he used terms like ‘boring’ or ‘boredom’ in loose, elliptical and seemingly contradictory ways. Such a lack of clarity reveals his ambivalence about this phenomenon, but also highlights a subtle pattern of differentiation he makes between particular modalities of boredom that can be highly illuminating. Through a careful reading of the full range of Lefebvre’s writings, we can begin to understand how he discriminates between different experiences and expressions of boredom, some of which are unambiguously negative, whereas others are judged more positively. With respect to the latter, as he says in Introduction to Modernity, under certain conditions boredom can be full of desires, frustrations and possibilities. Through such an investigation, we start to glimpse latent connections between boredom and utopian propensities that caught the attention not only of Lefebvre but also such thinkers as Ernst Bloch, Siegfried Kracauer and Walter Benjamin. (shrink)

Since representations of social life are rarely separate in their effects from the worlds they aspire to depict, this article argues that as producers of such representations, sociologists are automatically responsible for considering the performative consequences of their work. In particular, it suggests that sociologists have an ongoing normative responsibility to draw out emergent strands of social hope from their empirical analyses. Through a comparison of Rorty, Levitas, and Unger’s different theorizations of social hope, the article argues for a pragmatic (...) model of social hope that is rooted in empirical conceptions of the past and present, but, alive to the transcendent possibilities of the emerging future, refuses to be entirely determined by these conceptions. (shrink)

The word “utopia” was coined by Thomas More and refers to the unreal and ideal state described in his Utopia, first published in 1516. Following the example of Plato’s Republic, More as well as other thinkers and writers of the 16th and 17th century reflect on the political relevance of utopia and provide unique accounts of ideal, just, and perfect “no places”, as paradigms and standards of social, political, and religious reformation of the coeval world. However, the political significance of (...) utopia relies on a basic anthropological feature, which incidentally is already underlined by More: the relationship between imagination and experience. This means that: 1) the human being’s “eidetic” freedom is characterised by the inseparable relationship between imagination, reflection, experience and action; 2) utopia is capable of disclosing the transformative and normative features related to the human being’s constitution; 3) utopia can be fruitfully used to motivate human will and mobilise support for human flourishing. In this article I endeavour to show that among contemporary philosophers it is Hans Jonas who most fully develops the anthropological significance of utopia by investigating the very relationship between imagination and experience, and by underlining how the eidetic and reflective constitution of the human being leads to ethics. As a further goal, I wish to highlight that the anthropological relevance of utopia can shed light on our imaginative and ambivalent nature, and provide a practical and educational basis for the achievement of an “ethics of images” for the current digital era. For this purpose I shall draw on the thinking of Marie-José Mondzain and Jean-Jacques Wunenburger, among other scholars. (shrink)

Opposition to utopianism on ontological and political grounds has seemingly relegated it to a potentially dangerous form of antiquated idealism. This conclusion is based on a restrictive view of utopia as excessively ordered panoptic discursive constructions. This overlooks the fact that, from its inception, movement has been central to the utopian tradition. The power of utopianism indeed resides in its ability to instantiate the tension between movement and place that has marked social transformations in the modern era. This tension continues (...) in contemporary discussions of movement-based social processes, particularly international migration and related identity formations, such as open borders transnationalism and cosmopolitanism. Understood as such, utopia remains an ongoing and powerful, albeit problematic instrument of social and political imagination. (shrink)

This article examines the evolution of Zygmunt Bauman’s theory of culture during his over-sixty-year-long scholarly activity. Bauman wrote his first books on the theory of culture (Culture and Society; Sketches in the Theory of Culture) when he was a Professor at Warsaw University. The ideas put forward at that time were later developed in his writings. This applies in particular to the critical nature of his thought, the combination of synchronic and diachronic perspectives, the inclusion of the context of the (...) social structure as well as his references to the structural dimension and to agency. Later years – starting with the publication of the book, Culture as Praxis – saw Bauman’s growing emphasis on the transcendence of the existing reality and the creative role of an individual in the transformation of cultural reality. This article shows how other theorists of culture inspired Bauman and how he critically referred to them. The article offers a holistic look at Zygmunt Bauman’s oeuvre. It also creates an opportunity for English-speaking readers to become familiar with Bauman’s writings in his mother tongue. (shrink)